Re: [Harp-L] apples and oranges




On Jun 5, 2010, at 3:16 PM, Gary Lehmann wrote:


OK, so what's the best harp to play the head to Take the A Train?
Inquiring minds want to know . . .
G

* Ordinarily I would say that an SJ tuned diatonic is easiest. BUT since you need to 'Flat" the 5 BLOW reed on the word Train, you DO need a windsaver on the 5 DRAW reed. Ergo, you need a smo-joe tuning.


Otherwise, a chromo is easier. BUT that 9 note run DOES require a lot of practice. (That's the on ly way to get to Haar.....)

On tunes like DYKWIM to miss New Orleans, I use a C smo-joe tuned, and Eb Richter, and a D Richter. Then I do the second run with a chromo. I use a Bb played in D.

My point? Just like my good friend Phil the Harpin dude says...run through a tune with BOTH types of small harp and do that in SEVERAL keys to find the combination that works best. (in my case ...easiest...lolol)

smo-joe



On Sat, Jun 5, 2010 at 12:09 PM, <Philharpn@xxxxxxx> wrote:


The best way to determine the right instrument -- chromatic or diatonic --
for a tune is to try it on both harps.


For example, if you have a solo chromatic and a Richter 10-hole diatonic,
try playing "Don't Get Around Much Anymore" on each harp, taking care to
play
the descending bass line.


That bass line may seem easier with bent notes, but it also becomes easier
on the chromatic if you play it a few times on the chromatic.


The other thing you may notice -- no guarantees here -- is that by playing
that descending bass line on the chromatic, you get better at hitting the
bass note bends on pitch.


And for a third wrinkle, you might try the tune on a Slide Harp -- the
Richter tuned chromatic with the note layout like a blues harp. The
half-valved
Slide Harp (also unvalved Koch) is not fully chromatic -- there is no A
without bending in the first octave. But it you like the Richter layout
with its
four-hole octaves but sometimes need unbent notes in a certain song, this
harp may do the trick for you.


The SlideHarp may come in handy in certain position playing where a main
note is a bent note. Rather than spend all your energy on that bent note,
you can use the button (as long as it's not an A) and concentrate your
effort
on playing the song rather than concentrating on on-pitch bends. Especially
if the song starts on a tricky bend.


Or you can play the note on a guitar.
Phil





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