Re: Subject: Re: [Harp-L] looking for a new home...
On Jun 3, 2010, at 12:44 PM, Niall Tracey wrote:
I thought AJ explained his points of view as they applied to his
initial
sign-up Rules & Regulations (quoted below). IF others have issues
with this
idea - why not suggest (on Slidemeister) that perhaps yet another
area be
set up for just such cross-over discussions as this?
The problem is that this isn't a discussion about diatonic
harmonicas any more than asking how to get a "Carlos Santana" tone
out of a short harp and electronics is a discussion about guitars,
or how to get a "Kenny G" tone is a conversation about saxophones.
I was about in the way-back-when and remember the way Harp-L
threads about chromatics would sometimes get derailed by diatonic
players with no interest in the topic.
Exactly Niall. I'm so glad someone else has noticed. I thought I was
loosing my memory. And I had mentioned this before and was promptly
met with messages to the effect: 'well, if people wanted to talk
about chromatics, the thread would have kept going. So, apparently
the subject matter doesn't interest anyone'. I have time and time
again seen a chromatic discussion get swamped by a sudden influx of
posts having to do with such and such a player, such and such an amp,
what's the difference between a Shure 57 & 58?, so and so is playing
at such and such, what will happen if I swap my rx7s for dx8s. This
is all fine and good, and we all have an option to avoid the posts
that don't interest us.
Just as harp-l is diatonic centric and there is a lot of gear talk
and individual players talk. slidemeister had a lot of maintenance
talk and individual songs talk. There is no advertising and no
promotions. I find that I trash about 2/3rds of the posts I intend to
send to harp-l and I proof read every one. On slidemeister I just
type and let it fly. In fact, I used to type pages and pages. Blackie
Schackner, Doug Tate, Bill Price, and I used to answer all the
harmonica questions.
I understand perfectly why Slidemeister is there and why it has the
policies it does,
As I sneakily eluded to in MY post, it isn't diatonics 'Per Se', I
think (and this is only a guess), that it was the blues factor that
crept in. A.J. (as well as myself) are from north east mill towns.
And although I recently did a couple months at the Edison (at Ft.
Myers country club) with a blues band, we are not blues people. We
are what is known in our particular area as 'Mill Hunkies'. Our
families lived and died in the mills and mines. When I hoboed around
the south in the early 60s, I heard a lot of greats while they were
still alive. I like blues but I don't go out of my way over it. But
I do understand some people are passionate about it. And that's ok
too. I respect their passion. But I have my passions too.
If given the choice between going to the grocery store or listening
to a blues band while drinking Jax or Fallstaffs, I think I would
choose the grocery store.
but I think admin went over the top with this one.
Yes I agree, but I think there was some sort of misunderstanding? I
think getting a diatonic sound out of a chromatic may have set a
fuse. Just as getting a chromatic sound out of a diatonic would have
unleashed a neuclear melt down.
In conclusion, I think Elizabeth hit numerous nails on numerous
heads, and pretty much covered everything that could be considered
controversial. Being the logical para-legal that she was, she has a
very analytical way of dissecting things and putting them into
perspective. A talent that shouldn't go unnoticed.
Just guessing....... smokey-joe
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