Re: [Harp-L] Harp Soaking



Thanks Johnny
Another factor to think about here, is the old one of neccessity being the mother of invention. Even if as discussed here recently in relation to another topic, the dollar/mark exchange would have been advantageous to american consumers during the early 30s, in relation to the average per capita income of the black rural poor in the southern states during the depression presumably the harmonica would still be an expensive item. We're talking extreme, perhaps primary poverty here are we not? As you say, there would also have been skilled craftsmen around. This is all supposition of course but it bears serious investigation.


Thanks again

Bill

----- Original Message ----- From: "Johnnie Harp" <johnnieharp@xxxxxxxxx>
To: "Harp L" <Harp-L@xxxxxxxxxx>
Sent: Thursday, January 28, 2010 9:45 PM
Subject: Re: [Harp-L] Harp Soaking



Hi Bill

Something I've often wondered about is whether people were
customising harps before Joe Filisko et al -
I really can't believe they weren't

Maybe with is where Fillisko's impetus came from? Might have come across it in his investigations of players from the past and their music. Also, might be necessary to play the sophisticated acoustic stuff that he specialises in. If he needs to use customized harps to play it well, then probably so did his predecessors.


I think someone mentioned in passing in a post over the past few months, old timers dragging a nickel along the slots to make the harp play better. Might have been Dave Payne?

In terms of expanding combs, back in the day a pocket knife was habitually carried and used commonly for various purposes including whittling. It would make sense that a young guy, who was sitting outside playing his harp a lot, might get fed up with a sore tongue and start smoothing and shaping sharp and irregular areas of the comb.

In terms of reed work, I can imagine someone doing a reed repair / replacement 'cuz there was no other choice and finding that the new reed didnt' work as well as the others. Holding the reed plate up to the light and seeing a difference in the reed-reedplate interproximal space, and trying to narrow this. Upon being surprisingly successful, wondering what would happen if other reeds were so treated.

In the past, people were used to doing handwork and may have had experience in doing something similar with respect to elecrical gear, auto manufacturing, etc.

to be honest, just like I can't believe that Blues Birdhead was the
only person overblowing in the pre-war period.

Even if no more than the buddies that he hung out with ...


Is ther an unwritten history of harp customisation that we
should know about?

Or even info contained in writting somewhere, even if in passing.


Actually, it is pretty surprising that there isn't more common knowledge of the past in this regard given the active performers who would have played with pre-war harp players ... Cotton, Musselwhite, etc.

Yet, despite some strong opinions on Harp-L that harps wouldn't have been soaked in the past, in the last couple of days we have a report of Charlie Musselwhite soaking in the 60s, and Paul Butterfield too ...

The next person that sees Charlie, or James Cotton needs to pose these questions while they still can be answered. Also, Mark Hummel might be a good historical source given his interaction with guest players through his Harp Blow Off shows ...


__________________________________________________________________ Looking for the perfect gift? Give the gift of Flickr!

http://www.flickr.com/gift/

_______________________________________________
Harp-L is sponsored by SPAH, http://www.spah.org
Harp-L@xxxxxxxxxx
http://harp-l.org/mailman/listinfo/harp-l




This archive was generated by a fusion of Pipermail 0.09 (Mailman edition) and MHonArc 2.6.8.