Re: [Harp-L] Casual Harmonica players...



Sorry but I disagree. A pro-harp player (and with pro-harp player I mean a guy who play harp as first instrument) is nothing more and nothing less than any other musician. A pro player knows when he should play but knows BETTER when he can stay in silence. A pro player has studied a lot of riffs from the kings (the legendary harp players) but he add his personal touch to every note, riff and sound. A pro harp player put his own style, influence, taste and musicality to everything he does. If it isn't like that he ain't suppose to be a harp player, but just an imitiation. That's my own opinion. Everytime I put a harp in my mouth I play what I have in my mind and it is a mix between what I listen as harp player (f.e. Little Walter, Paul Butterfield, Kim Wilson, Charlie Musselwhite...just to name some) and what I listen as music lover (from Classical music to more modern stuff). That's my approach and I think should be the approach of a pro...

Benoît FELTEN ha scritto:
Something I wanted to share with the list.

With age, I'm starting to realise that more and more I enjoy the harmonica
playing of casual players. Sometimes I like it even more than the harp
playing of many "pro" players.

I guess I should clarify what I mean by casual harmonica player. By that I
mean musicians whose approach of the harp is as a secondary instrument. Pro
musicians who would not describe themselves as harmonica players.

A few examples could maybe help clarify what I mean:

- G. Love of G. Love and Special Sauce is a great example. He plays a decent
harp, but you can hear that he rarely if ever practiced. Now he still sounds
very good (not too sloppy, I guess), but he sticks to relatively simple
stuff. The thing is it's always effective and very often quite inventive as
well.

- Ben Ellman of Galactic is another good case in point. Ellman is a killer
sax player who doubles on harp occasionally. Now he usually vamps and rarely
(if ever) uses the harp to play melody, but he's got a ton of energy and
(again) in my opinion dares things that more seasoned harp players in
general wouldn't.

I asked myself why these guys' playing appealed to me. And I think the
reason is intent. Too often maybe, a harmonica player feels obliged to play
something because, after all, he's the harp player. And while that something
may sound good and be played with great chops, it doesn't always add to the
song. When these guys whip the harp out, it's because it's the right thing
to play for this particular song at this particular moment. I dunno, it's
just a theory, but that's how I feel it.

Now this raises a secondary question which is, collectively, do we harp
players have an ego problem ? I listen to a lot of sax, to make that
parralel, and it seems to me that sax players don't feel the need to play
all the time, especially sax sidemen.

Maybe it's misperception on my part, but I thought it would be interesting
to discuss and also highlight other examples of non-pro harp players that
sound great...




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