[Harp-L] Modes, keys and positions (breath patterns correlated)
 
Geoff, You ask the following:
OK , really dumb question, please excuse my ignorance, but
is a "position" not a physical location, as in:
"position your lips to blow on hole 4"
but rather the sequence of blowing and drawing as one moves across  
the harp?
Let's take at random say Gershwin's "Summer time".
In what position is it best played, on which harp?
My answers:
I have never been able to correlate a harmonica "position" with a  
physical location on the harp.  I mean, i know where to locate the  
degrees of the scale on which holes in which position, but there's no  
numerical correlation between the designation of the position and  
which hole you use to start the scale in that particular position.
Personally, I would use Fifth Position to play "Summertime"  but a  
lot of players use Third.  it can be played in either of these  
positions.
When i play, i will  use First, Second, Third, Fourth, Fifth and  
Twelfth positions, depending on which position i need to use in order  
to be able to play on a particular tune. I am more comfortable in  
some of these positions than others but I can and do use any of them  
as the need arises. However, I don't OB.
Btw, there are certain breath patterns common to these positions,  
which are useful to know:
The major pentatonic scale in FIRST position is the same breath  
pattern as the minor pentatonic scale in FOURTH position. Same notes,  
same intervals, just start on a different hole.
The major pentatonic scale in SECOND position is the same breath  
pattern as minor pentatonic scale in FIFTH position. Same notes, same  
intervals, just start on a different hole.
The minor pentatonic scale in THIRD position is the same breath  
pattern as the major pentatonic scale in TWELFTH position. Same  
notes, same intervals, just start on a different hole.
So, if you learn these 3 breath patterns and learn the blues scale in  
second position, you should be able to get around well enough in 6  
different positions to be able
improvise if you've got a good enough ear.
JP
     
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