Re: [Harp-L] Re: no subject

[Ev630 <eviltweed@xxxxxxxxx>]

I haven't heard anyone who can do that, Zack, but I have heard some harp
guys who use them very effectively in blues-rock and jazz contexts by not
playing stuff that would draw attention to the flaws. That is, working
within the limitations. A fast 6OB going up the harp is a nice little tool
for blues rock stuff.

Anyway, like you, I don't see why anyone would get "het up" over this sort
of discussion.

It's just a discussion. But I wanted to note in my response to you that
there's nothing wrong with my ears.

:)

On Fri, Feb 12, 2010 at 11:43 AM, Zack <zack.pomerleau@xxxxxxxxx> wrote:

>    I suppose, but I think if you really know how to use them you can get it
> pretty close, if not spot on.
>
>
> On Thu, Feb 11, 2010 at 7:38 PM, Ev630 <eviltweed@xxxxxxxxx> wrote:
>
>> >
>> > The one thing I STILL haven't figured out is why people are flipping out
>> > over this! An overblow is the SAME as a bend! If you think a bend sounds
>> > more natural than an overblow you aren't listening good.
>>
>>
>> I never said a bend sounds more natural than an OB. I just said the tone
>> isn't as robust as standard bends and TB'd notes.
>>
>> Don't worry, I'm "listening good".
>>
>
>
>
> --
> -Just Finished: The Sun Also Rises by Ernest Hemingway.
> -Currently Reading: Nothing, tomorrow going to pick up Brave New World,
> only a $1.50!!!
> -Currently Writing: "Chastity's Lief Harmonica."
>