[Harp-L] Re: Embarrassing tone question
- To: harp-l@xxxxxxxxxx
- Subject: [Harp-L] Re: Embarrassing tone question
- From: Mike Fugazzi <mikefugazzi@xxxxxxxxx>
- Date: Mon, 30 Aug 2010 09:02:49 -0500
- Dkim-signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=gamma; h=domainkey-signature:received:mime-version:received:in-reply-to :references:from:date:message-id:subject:to:content-type; bh=bvrnlC1ZofdGFbeJwhYBz76PtvEkat4C7UJAWviGJac=; b=OsJbowUjCmnD7m4qIqM1jBppEtKoNTn4tXo1vcfkvU6ueV2ZZPd/tLqvxFeh1QRWni tgV0ebaS7l4ZqRkuRhoP8NmkxEcqSXISbcbLvbsq8dmGWG2bSTS0n2laJT1AK+muxYK+ 1KLbrtVIwrUzGT0ZQAzdKfZi30z59X/Jq9Jb0=
- Domainkey-signature: a=rsa-sha1; c=nofws; d=gmail.com; s=gamma; h=mime-version:in-reply-to:references:from:date:message-id:subject:to :content-type; b=CE33sRrU8RNyM7/brqBi6ZND2DiFcsAD0r1BCIUT0vcl+Z7yxiv+XlWtZEMWh5NKXT lCv+2xsByh6VLXAB5WZh8GgCCVvP8sMGNF7HGbkYz6ij0GbAz25GN/hV5ZXtXxommtNm Koc7ziwNhMTXIdDyd8Iz9p/Ei0r5bpMQjh71g=
- In-reply-to: <AANLkTi==AD0JyK2ig-0iXe5YMcm+xE=KiccV_+hUBJDq@mail.gmail.com>
- References: <AANLkTi==AD0JyK2ig-0iXe5YMcm+xE=KiccV_+hUBJDq@mail.gmail.com>
I've received several great responses on and off-list. I will hold off on
any buying of gear until I am for sure the band will work out for me. I
*think* I will look at getting a bullet-style mic from Greg Heumann. Option
2 would probably be a smaller amp as I could use it to drive the HG and for
rehearsal.
Thanks!
----------
Mike Fugazzi
vocals/harmonica
http://www.mikefugazzi.com
http://www.facebook.com/MikeFugazziMusic
On Sat, Aug 28, 2010 at 12:34 AM, Mike Fugazzi <mikefugazzi@xxxxxxxxx>wrote:
> I sat in with a band tonight that wants me to play with them formally. In
> talking with the band leader, he commented on really like a typical amped
> harmonica tone. Specifically mentioning the sound of a bullet and tweed
> amp.
>
> The music isn't "blues". I can't really describe it well, but a lot of it
> is minor chords with jazz changes - would easily be classified as rock. My
> role would vary from playing Chicago type harp to using the harp to be a
> background vocalist, keyboard, horn, etc.
>
> So if I wanted to get a raunchy sound (right now I am using an Ultimate 57
> into a HarpGear HG50), would it make more sense to look at a different mic
> or amp for this gig? What about a pedal like the Lone Wolf stuff?
>
>
> I know that technique is a huge part of this...I did a lot of tongue
> blocking tonight,tight cupping, and used the 57 right into the board.
> Therefore, please do not take the discussion down that road as I know what I
> can do and work on in that area.
>
>
> Also, I am just thinking ahead to what the band leader would want as a
> formal member of the band. I am in now way in a rush to drop money on
> gear. If it works out, I'd like to invest some gig money into having an
> appropriate rig for this specific group, as my needs are typically a cleaner
> rig that takes pedals.
>
> Thanks!
> ----------
> Mike Fugazzi
> vocals/harmonica
> http://www.mikefugazzi.com
> http://www.facebook.com/MikeFugazziMusic
>
>
This archive was generated by a fusion of
Pipermail 0.09 (Mailman edition) and
MHonArc 2.6.8.