[Harp-L] tone
- To: harp-l@xxxxxxxxxx
- Subject: [Harp-L] tone
- From: jon kip <jonkip@xxxxxxxxxxxxx>
- Date: Mon, 14 Sep 2009 14:38:09 -0700
- Domainkey-signature: a=rsa-sha1; q=dns; c=nofws; s=dk20050327; d=earthlink.net; b=ckvTeqOo47JuD+r0MkzNa5qQcVY/R0qt+hx1pJuF2ZfvFtiQHQqOOoq4+GjC0VJI; h=Received:Mime-Version:In-Reply-To:References:Content-Type:Message-Id:Content-Transfer-Encoding:From:Subject:Date:To:X-Mailer:X-ELNK-Trace:X-Originating-IP;
- In-reply-to: <200909131811.n8DIBafm017734@harp-l.com>
- References: <200909131811.n8DIBafm017734@harp-l.com>
the personal, recognizable tone of a player, any instrument, is not
as much the tone of a single note, but how the player gets from note
to note...at that point, the personality shows up.
and I suppose this becomes less a rule when you think about players
who always growl, snort, or have a distinctive vibrato on that one
note you happen to be listening to....
still, it's what's being done with/to the series of notes, not the
tone of the note that makes a unique, identifiable statement.
just a thought,
ymmd.
whatever
This archive was generated by a fusion of
Pipermail 0.09 (Mailman edition) and
MHonArc 2.6.8.