RE: [Harp-L] miles/kind of blue

[Jérôme P. <peyrelevade@xxxxxxx>]

Exactly. There's nothing really new here, but the precision he gets is
unbelievable, and the fact is that he does use this technical in his play to
speed up and render more precise certain complex licks.
You'll find a demonstration here : http://www.sebcharlier.com/goodies.php
Click on the second audio. You'll hear a 7 draw and then overdraw with 3
half steps.
So you can hear : B, D flat, D, E flat, in the same hole.

Regards,

Jerome
www.youtube.com/JersiMuse


-----Message d'origine-----
De : harp-l-bounces@xxxxxxxxxx [mailto:harp-l-bounces@xxxxxxxxxx] De la part
de michael rubin
Envoyé : samedi 12 septembre 2009 16:36
À : harp-l
Objet : [Harp-L] miles/kind of blue

Jerome says:
Back to Sebastien Charlier, there are also interesting detailed concepts on
his web site, but it is in French.
For example, he explains how to produce double or triple overblows and
overdraws, or how to "air-block" the air flow, to be able to produce blowed
and drawed notes at the same time. Like Sonny Terry used to do, but played
in a jazz configuration.
To me it looks like coming from space.

What is a double or triple overblow? Are you talking about when you
play an overblow and continue to raise it by half steps?
Michael Rubin
Michaelrubinharmonica.com
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