[Harp-L] In the moment
I’m a mixed embouchure player. I can tongue block, but I usually
pucker and only use tongue blocking for playing octaves and other
split interval double stops. I slide back and forth between those
techniques frequently as I’m playing. I usually pucker for single
notes, use tongue blocking for split intervals and rarely play any
chords.
Last night I was playing an outdoor gig. On one tune, I was getting
a particularly nice resonance from a split interval and when I moved
back into playing a melody run of single notes, I found myself still
tongue blocking and I continued to tongue block through the rest of
the tune without thinking about it. It’s almost as if my ear told me
it sounded better at that moment so go ahead and do it. Almost non-
volitional. This has occasionally happened before, when i would
unconsciously continue to tongue block for a little while after
coming out of a split interval back into single note playing, but it
never has continued over such a sustained period of time before.
Funny what happens when you are completely in the moment and playing
unconsciously during a performance. Sort of weird.
Deep embouchure is important for good tone production, but I’m not a
player who believes that tongue blocking is the only way to get
superior tone. However, a clear advantage of tongue blocking is that
it allows the player to get the holes of the harp deep into the
mouth past the teeth which makes for a nice, full unobstructed
resonance chamber.
Maybe this experience loses something in the translation into words,
but the strange thing was that after I stopped playing the split
interval I never consciously decided that I would continue to tongue
block. It just happened at that moment without my thinking about
it. The SOUND I was producing made me do it without me deliberately
deciding to do it. Almost sort of a mystical experience. And it
sounded pretty good on that tune. Go figure....
JP
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