[Harp-L] Madcat in New Jersey review (long!)



I was fortunate to attend a wonderful night of music last night with my wife at Kean University in Union, NJ (my old Alma Mater).
Madcat was in concert with: a trio called "Triple Play" which features Chris Brubeck ( Fretless Bass, Trombone, Piano, Vocals), Joel Brown (Guitar & Vocals) and of course Madcat Ruth (Diatonic, Chromatic Harmonica, Jaw Harp, asst percussion & toys).


If this trio is ever appearing at a College or Concert Hall near you, you must go! To say this was an entertaining show would be a serious understatement. The Myriad of Genres covered with such expertise in 90min set is just astonishing. The Level of Musicianship combined with the REAL power to connect and interact with their audience was equally impressive. The band can go from a beautiful ballad to a rollicking tune in 7/4 or 5/4. But the way it is presented and even teaching the audience to clap along in odd time sigs is something that adds to the way the whole evening of eclectic music flows and keeps the audience wanting more.

The group plays two sets with a brief intermission. I think this configuration has been together for about 10-11 yrs, but the Madcat's Brubeck connection goes back as early as 1969 when Chris asked madcat to join his band which was to become SKY KING (Produced by the legendary Steve Cropper). I saw that band open for Muddy Waters in NYC in the 70's, I actually met Madcat the 1st time that night and we've been friends ever since..

Really good originals by Chris Brubeck like "Now that the Children Have Gone".... a ballad about the empty nest syndrome all of it's perks and tears and memories! His dad's (Dave Brubeck's classics) "Take Five" & "Blue Rondo ala Turk" take on a whole new life with Madcat in the mix....wow! The 3 of them wrote a beautiful song en route to a gig down south called "Road to Thomasville"...and on and on...you should get this CD so when they come to a town near YOU you will be familiar with what they will share with you with MANY added surprises. This year the trio played with the symphony in Singapore, I got to hear some of it on audio and I'm just blown away of how well they blended with this orchestra using both conventional and eastern instruments. Another added perk is in addition to their World Class Musicianship, they all SING very well and has chosen some cool features throughout the show.

here is a link to Madcat's CD's...check it out and pick up one or 2, you won't be sorry.....!

http://www.madcatmusic.net/index.html

Madcat did mention that Chris would be calling me up out of the audience to play on a number since I was a friend of Madcat's and Alumni of Kean U. However, I nearly went into shock, I got on stage for there last number and they go into a break neck tempo of "Blue Rondo ala Turk", OMG, I was hoping for a lil' swing blues to jam along on!..Luckily the trio had the melody covered and to my relief, there was a blues section to blow over...whew!...I also did the encore..."Crossroads" in A and Madcat threw me a D MADCAT harp and I'm NOT giving it back!!!,-) Thanx madcat for a most enjoyable evening.


I've been a huge fan of Madcat's music for 30 yrs and he always raises the bar each time he puts together a new project. His last record with Shari Kane and Maxwell street is also a must have! here is a review I did of it in the UK Mag Harmonica World last summer: ( I hope Roger Trobridge won't mind me using it here as the article has already been out in a previous issue.) Thanx Rob Paparozzi





Summer in the States: SPAH Convention 09’,a new MADCAT CD


In the US we have many harpin’ skeptics wary that a convention can be successful on either coast. Many contend that to be cost effective and draw a large crowd it needed to be somewhere in the ‘Center’ of the US. With more than 400 attendees and breaking former SPAH records, those contentions are now moot points and maybe the east coast will be next to challenge our Doubting Thomases.

Sacramento SPAH was huge, sunny a big hit and probably the most diverse cross section of players came to ‘strut their stuff’. Hohner, Suzuki, Seydel & Hering all sent top managers an assorted vendors brought their wares by the box load.

The biggest buzzes were about the groundbreaking Hohner Crossover (bamboo combed) Diatonic. The Seydel Saxony 12 Hole Chromatic (Stainless Steel Reeds) and the Suzuki with the highly acclaimed Manji Diatonic which touts it’s customized attributes at reasonable ‘street prices’ about $40 in US dollars. The new Gregoire Maret 12 hole Diatonic was THE most talked about for tone & playability.

Mr. Manji Suzuki 87 had to cancel due to health last minute but won the Lifetime Achievement Award and yours truly was in shock and still riding high as recipient of the prestigious Bernie Bray Harmonica Player of 2009 Award. Too many great players to cover here so I will just say that this year’s headliner, Tommy Morgan is and will always be my Mentor, his performance was nothing more than Stellar! I’m sure Brendan will have more to report.

Being a writer of sorts I get many CD’s for review, it is not often that one jumps out of the awaiting stack and stays in my player for this many weeks! I’m talking about this summer’s release by Madcat & Kane and Maxwell Street: Live At The Creole Gallery. I must admit I’ve been an avid Madcat fan since the 70’s but this project of Madcat’s is a real ‘band effort’. When I heard Madcat with partner Shari Kane years ago I knew this was a duo that had a ‘magical symbiosis’. Now, with addition of Maxwell Street (Mark Schrock on Bass & Vocal and Mike Shimmin on Drums and Cajon) a band or Quartet of pure joy has been captured live in Lansing, Michigan.

With co-fronting chores by Peter ‘Madcat’ Ruth on Vocals, Harmonicas and Ukulele and Shari Kane on Guitars and Vocals the band really treats us to a wide palette of the blues. This is a blues CD that really covers a lot of ground with inventive arrangements of classic folk blues. I truly love the 3 part vocal harmonies that you rarely here in this genre and that is a large part of the charm coupled with some real high level fills and solos throughout. But as I mentioned earlier the winning factor here is the GROUP effort and that is, truly listening and playing off of each other’s nuances.

The CD kicks off with a Train medley like you’ve never heard, 4 train standards that are wove together in a way that will leave your mind on a train platform in awe of the sounds most sung about in the blues. Too good a topic to leave so fast the 2nd tune that follows the medley is Furry Lewis’ “Casey Jones” featuring Shari on the lead Vocal.

From that Shari set ups her blues girl prowess on Willie Dixon’s “Hoochie Coochie Girl” and Madcat’s harp answers in all the fervor that Little Walter did when Muddy sang his version of this timeless classic. Just when you get comfy in the Chicago Blues mode, Madcat grabs the Vocal mic and leads the band and Shari’s slide guitar back down the Mississippi on ‘Rollin’ and Tumblin’ with the tempo brisk enough to let Madcat channel Hambone Willie but don’t take my word for it go to your computer and type ‘youtube madcat rollin’…it’s ALL there from the club!

The Three part Harmonies interspersed with Diatonic and Guitar on songs like: ‘Honest I Do’, ‘Sweet Home Chicago’ and ‘Linin’ Track’ really treat the listener to a true blues ‘mini choir’ that is to the best of my knowledge never been used on these covers. Good rockin’ blues like ‘Step it up and Go’ really let the band find the ‘pocket’ and get the audience to groove along. Shari leads the band thru Robert Johnson’s ‘Red Hot’ and Madcat with just percussion & gtr on the traditional ’61 Highway’ leave you wanting more. The CD has the perfect closer to say goodnight, ‘Fixin’ to Die’ if I could play that good and brisk on my harp by the end of the night, I imagine I’d truly be fixin’ to DIE,-) Get this CD folks, a keeper if I ever heard one, it FRESH it’s the Blues and a Harp Lovers Paradise!


Rob Paparozzi www.myspace.com/hudsonriverrats




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