Re: [Harp-L] Re: "Confessions of a Gusser"
- To: "Michelle LeFree" <mlefree@xxxxxxxxxxxxxxxxxxxxxx>, <harp-l@xxxxxxxxxx>
- Subject: Re: [Harp-L] Re: "Confessions of a Gusser"
- From: "Bill" <bill.eborn@xxxxxxxxxxxxxx>
- Date: Wed, 11 Nov 2009 08:04:37 -0000
- Cc:
- Dkim-signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=googlemail.com; s=gamma; h=domainkey-signature:received:received:message-id:from:to:references :in-reply-to:subject:date:mime-version:content-type :content-transfer-encoding:x-priority:x-msmail-priority:x-mailer :x-mimeole; bh=YKDYFryS3hfYc7fPb/0AfPW6lMIiO5UerYLWhX1iKn8=; b=gxZG2Vaa31sECMlgSfrcRpk7vl7D1KwEHz3R/n5lPgs0PkAbB+59S6vnMUsnAqp77n cMtcpYK6SmEUr/ziYYwgbKICEHwTNqOWEMxVeK8P5IwuGsy03NqzELznJxZ2q3Fnhow8 fc0ZONxOr2KfMk3jPJspGEJ2KILpEXThWz+lo=
- Domainkey-signature: a=rsa-sha1; c=nofws; d=googlemail.com; s=gamma; h=message-id:from:to:references:in-reply-to:subject:date:mime-version :content-type:content-transfer-encoding:x-priority:x-msmail-priority :x-mailer:x-mimeole; b=REPRsenwUxE4Sey0D1VE9xM5BmGU9HQMYbjSXXEKQlyl4a0RaP0fmog6udw5NyhnCM +TEoS88xZEw1l8JAbdz9/9urhGlsCDQ+ZYlwBrHPYf7xWm2q7/KJYY4v4xvvuPUvycdc P9NCqAyzKToywpSKLNrcwquOsva/+F2AkRYz4=
- In-reply-to: <4AFA2E2C.1020006@silverwinggraphics.com>
- References: <200911071321.nA7DLjfn024966@harp-l.com> <4AFA2E2C.1020006@silverwinggraphics.com>
Michelle
That's not Gussing as in Genuine Uninvited Squawker, it's Gipping as in
Genuine Invited Protege
Bill
----- Original Message -----
From: "Michelle LeFree" <mlefree@xxxxxxxxxxxxxxxxxxxxxx>
To: <harp-l@xxxxxxxxxx>
Sent: Wednesday, November 11, 2009 3:23 AM
Subject: [Harp-L] Re: "Confessions of a Gusser"
Um, since others are being candid about their own Gussing, I suppose I
should mention a post I made back in September of 2003, titled,
"Confessions of a Gusser:"
http://harp-l.org/pipermail/harp-l/2003-September/msg00557.html
In it I told of the generosity of my first harp teacher, Harry Harpoon. I
had become his protégé, traveling with him to each and every gig over a
two-year period (he was then performing a couple times a week as a one-man
band Dr.Ross-style, bass drum, high hat cymbal, slide guitar and harp). He
wasn't a great teacher in the usual sense of the word -- he couldn't
articulate how to do something, but the great harp player that he is, he
would demonstrate a point and have me "parrot" it until I got it. I
learned by example. [I read where Gary Onofrio (Sonny Jr.) learned from
Sonny Terry in much the same way.]
As Harpoon's protégé I would help him carry his equipment into each venue
(read bar), help him set up and then tear down and carry it all back into
his truck. I watched his every move and took careful notes as to his harp
playing and showmanship, learning volumes along the way from an old master
(Harry learned studying under George Harmonica Smith alongside many of the
Los Angeles greats like William Clarke, Rod Piazza and others.)
After many months, I came to a point where I could credibly follow along
with Harry's playing and the next step became clear: playing in a live,
public situation, comping to other musician's playing, learning to
accompany a singer, etc. Problem was that where I live in the Western
Colorado outback, there were and are ~very~ few opportunities to do that.
No blues bands and very few open mic's (a solo harp player isn't often
well received at open mic's anyway). So one day I meekly asked Harry if he
would mind if I played along with him very softly in the back of the room
at his gigs. Without a moment's hesitation, Harry said, "You wanna play
harp along with me? Go for it!" So I did.
Then a most curious thing happened. People at his gigs started coming over
to my table to listen to ~me~ play. At first I was very confused by this
and wondered what to do -- quit and meekly disappear into the background
or what. The last thing I wanted was to distract Harry's enthusiastic
fans. But to my amazement, the folks didn't want me to stop; they egged me
on. So did Harry. So I embraced the situation and obliged. After a while,
I started to draw my own little crowd of "followers" and made many new
friends and acquaintances that I never would have otherwise had the
opportunity to meet (I'm normally very shy). I still treasure the
long-lasting friendships of many of those kind folks who encouraged a
budding harmonica player "back in the day." On top of that, I succeeded in
getting some terrific real-world experience, satisfying my initial goals
and more. The whole experience allowed my to grow as a harmonica player
and musician and even personally in ways I never would have otherwise. I
still owe Harry a huge debt of gratitude. (I might mention that though
Harry now lives in Utah, whenever he returns the area to gig, I happily
play on stage with him, and he often defers all the harping to me.)
Anyway, as expected my original 2003 post garnered much attention on the
"L," initially drawing some harsh criticism and then some surprising
support. I still rejoice in the fact that the term "Gussing" didn't
forever turn into "Michelling." :-)
So that's my "Confessions of a Gusser" revisited.
Thanks again, Harry!
Michelle
_______________________________________________
Harp-L is sponsored by SPAH, http://www.spah.org
Harp-L@xxxxxxxxxx
http://harp-l.org/mailman/listinfo/harp-l
This archive was generated by a fusion of
Pipermail 0.09 (Mailman edition) and
MHonArc 2.6.8.