Re: [Harp-L] Re: Blu-Tack: I Deserve All the Credit
- To: harp-l@xxxxxxxxxx
- Subject: Re: [Harp-L] Re: Blu-Tack: I Deserve All the Credit
- From: Rick Epping <rickepping@xxxxxxxxx>
- Date: Wed, 25 Mar 2009 01:34:29 +0000
- Dkim-signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=gamma; h=domainkey-signature:mime-version:received:date:message-id:subject :from:to:content-type; bh=YKvUX9opEGuJotBjDrEsKWdEXmSqt39pr/fKgQLI1S0=; b=x9YNRHJtdZca2+wdvoD4NtA3mdNoseod0bpWMNY3Xcp124ZaMKUwHD4VEqR6I2+kKC 5BJKiWH3CXYKeVhqgwH78UAxMbWBkVi8SJ7OKrMn2lZFmQMYg+/TuKuIqKI3SD1yFXEF KHNtirSrqLyGW3nXB2h9dZHN/SWddZ5L1vyCE=
- Domainkey-signature: a=rsa-sha1; c=nofws; d=gmail.com; s=gamma; h=mime-version:date:message-id:subject:from:to:content-type; b=ednIRCdxrq/XjujOnLy8AFYGwcA0UE62ZZQfcm4hWnwa1/mS0/bx0oAbwAlqNngx7T zkjmsfQNJ0ADZSFqjFhMS9ZF8qoZIRPlOaz0LbbqBkoeBushmp+G9YKY2lGY19UBoj+P Y44R897XJ0PC2bZqHkxqq4xY9QyFzASr1JJVY=
Sorry for coming in late on this. I did indeed get the Blu-Tak trick from
Brendan. Up til then I used a mixture of beeswax and powdered brass,
inspired by the mixture of beeswax and powdered lead used to tune shengs.
Blu-Tak is fine for lowering a reed's pitch by a semitone, though I find
that using it to lower the pitch a wholetone or more can sometimes tend to
dull the tone. Blu-Tak sticks much better than beeswax and can be fine
tuned by shifting it forward or back a little from the reed's tip. I always
keep a bit of the stuff in my toolbox. Thanks Brendan!
Another trick: If I'm stuck with a reed starting to go flat and I haven't
the time to replace it, I sometimes add a little super glue (the thin
variety) to the back of the reed, where it will ultimately fail. This both
raises the pitch and acts as a splint to keep the reed going, sometimes for
as much as a few weeks. Not something I ever recommended while working for
Hohner, as the safest thing to do is to replace the reed, but it does the
job.
I haven't forgotten about posting photos and info on restoring leather
windsavers, just been away much of the time. I'm off again to Denmark on
Friday but I'll keep trying to get to it.
Best,
Rick
>
>
> Message: 10
> Date: Wed, 25 Mar 2009 10:06:59 +1100
> From: "Rick Dempster" <rick.dempster@xxxxxxxxxxx>
> Subject: [Harp-L] Re: Blu-Tack: I Deserve All the Credit
> To: "Brendan Power" <bren@xxxxxxxxxxxxxxxxx>, "Harp-L"
> <harp-l@xxxxxxxxxx>
> Message-ID: <49CA0243.7C8A.0066.0@xxxxxxxxxxxxxxx>
> Content-Type: text/plain; charset=US-ASCII
>
> Brendan,
> Perhaps you could turn this into a market opportunity: I can
> foresee kits of pre-weighed blobs of Blu-Tak; 'The C Richter to Paddy
> Richter Kit'; the 'G Richter to Melody Maker Kit' and so forth.
> Perhaps a Blu-Tak syringe that could deliver metered blobs;
> perhaps the Bostik (I believe they are the manufacturers) might be
> interested in doing a deal with you.
> Anyway, when your boat comes in, just remember that it was
> suggested to you by your pal across the Tasman,
> Your's Sincerely,
> RD
>
> PS I may have been overdoing the Irony Supplement pills lately....
>
> >>> "Brendan Power" <bren@xxxxxxxxxxxxxxxxx> 24/03/2009 20:21 >>>
>
> I'm going to come out boldly and claim that I was the FIRST to adopt
> Blu-Tak for retuning harmonica reeds. If I'm remembered for nothing else, I
> wish to be known as "The Man who Brought Harmonicas and Blu-Tak Together"!
> Forget numerous CDs, half-valving and innovative special tunings (even
> being
> invited to play at The Old Neptune pub in Whitstable!) - I consider the
> BLU-TAK TRICK to be the true summit of my modest contribution to the
> harmonica community - and I won't have anyone else steal my thunder ;)
>
> Rick Epping has showed me many of his nifty tools and tricks for harmonica
> tweaking - he's great like that :) But I showed HIM the Blu-Tak Trick, as
> I'm sure he would attest. I've been doing it since the mid-80s (to tune the
> custom 11 hole harps I used at the time). I've imparted this precious
> knowledge to many others over the years, without even asking for a cent!
>
> It allows you to have one harp that can be quickly and reversibly changed
> to
> alternate tunings.
>
> For example, the 5 draw can be tuned up to the major 7th in 2nd Position
> (F#
> on a C harp), then lowered with the right amount of Blu-Tak to the F. When
> you want the F#, simply remove the Blu-Tak and stick it on the rivet pad.
> Then reapply when you want the F again. Since it is the right amount, the
> tuning will be dead-on every time. It's a bit like a Scruggs tuning peg for
> the harmonica!
>
> It takes less than a minute, and most of that time is in
> removing/rescrewing
> the coverplates (with a Turbolid the job would be done in 20 seconds or
> less). Good for trying out new tunings quickly and reversibly too. The
> stuff
> sticks like you wouldn't believe and stays there for decades of violent
> reed
> vibration. Just make sure the reed is clean and free of dust and grease
> before applying.
>
> A real money saver in these tough economic times... No need to buy lots of
> harps in different tunings, just "Blob on Some Blu-Tak"! (but if Lee Oskar
> goes bust, I never told you, right! ;)
>
> ---------------
>
> For Americans, with their unfortunate irony deficiency, I feel boringly
> obliged to point out there is a certain tongue-in-cheek element to this
> post. (If I didn't, they'd probably take me at my word and I WOULD only be
> remembered for Blu-Tak :)
>
> Cheers,
>
> Brendan Power
> WEBSITE: http://www.brendan-power.com
> YOUTUBE: http://www.youtube.com/BrendanPowerMusic
>
>
>
This archive was generated by a fusion of
Pipermail 0.09 (Mailman edition) and
MHonArc 2.6.8.