SmoJoe writes (snipped):
"What I have always done was to take a tune and envision the singer (or instrumentalist) who did this tune the BEST
This is Great! ...Monsieur The One. ;) (I did hope that sooner or later you'd finally admit you were one of a kind <G>)
....because it's how I've consistently approached my playing, on harmonica or keyboard. It's always about the song and the vocalist for me...and the version of it I liked the best (although we do differ a bit as to whether it should be the version most popular, since my personal tastes do tend to differ with the taste of the 'majority', more often than not.
I have a different approach to instrumentals. Can't explain at all how I get those...but it isn't about positions//keys....more all about feeling/hearing the music and trying to make it come out of the harmonica as I hear the music inside my head.
Your chromatic (and diatonic) playing is light years (nay, Centuries!) beyond mine
although I keep hoping some of your mentoring will still rub off on me at some point in time, despite your being a tongue-blocker and my absolute inability to play that way.
I truly am so very grateful that you think there's enough innate talent there for me to be worthy of your time. Hopefully at this next SPAH I might just be brave enough and get a small opportunity to show what I've learned from Mr. Le-One.
Elizabeth