Re: [Harp-L] Positions Playing
- To: harp-l@xxxxxxxxxx
- Subject: Re: [Harp-L] Positions Playing
- From: Winslow Yerxa <winslowyerxa@xxxxxxxxx>
- Date: Fri, 13 Mar 2009 09:45:42 -0700 (PDT)
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- Reply-to: winslowyerxa@xxxxxxxxx
Actually, we don't learn to "talk and communicate through learning the rules" - at least not explicitly. We learn the rules of spoken language intuitively. I didn't learn to diagram a sentence until the 7th grade, and I had no trouble stringing word together before that. But I found sentence diagramming fascinating because it gave me a way to break down and describe what I already knew intuitively.
That's all that music theory is - a way of describing accurately what you play and how notes and beats fit together. If you play intuitively, it's just another tool for understanding what you already know in a different way.
And to reference an earlier part of the discussion, notes and beats are to musicians what paint and canvas are to painters - the materials you work with to produce your art. Having a way to describe your materials and how they fit together might be useful, yes?
Winslow Yerxa
Author, Harmonica For Dummies ISBN 978-0-470-33729-5
--- On Fri, 3/13/09, IcemanLE@xxxxxxx <IcemanLE@xxxxxxx> wrote:
From: IcemanLE@xxxxxxx <IcemanLE@xxxxxxx>
Subject: Re: [Harp-L] Positions Playing
To: harp-l@xxxxxxxxxx
Date: Friday, March 13, 2009, 3:16 AM
We learned to talk and communicate through learning the rules - noun,
pronoun, adjective, adverb. Anyone remember "diagramming a sentence"?
Lots of rules, terms, definitions, just to learn the art of making a
sentence.
Then, guess what - we proceeded to forget the rules while continuing our
paths of communication. Not many people learned to communicate (speak/write at
a
high level) through ear training alone - at least not the ones who attended
school.
Why not approach music and harmonica with the same concepts?
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