[Harp-L] Figuring out what you're hearing in your head
- To: harp-l@xxxxxxxxxx
- Subject: [Harp-L] Figuring out what you're hearing in your head
- From: "John F. Potts" <hvyj@xxxxxxx>
- Date: Wed, 4 Mar 2009 19:33:34 -0500
Being self taught, probably the biggest revelation for me was when i
began to perceive the relationship of scales to chords (or scale
tones to chord tones). This provided me with a sort of structure for
improvisation. So, I practiced scales.
Now, not being formally trained and not having the best ear for
pitch to begin with, scales became really useful to me for
translating what i'd hear in my head into notes that i could play on
the harmonica. I'd get an idea in my head of something i wanted to
use in a solo, but i wouldn't know how to play it, even if i had
adequate technique. Knowing the scale would give me a vocabulary to
figure out what i was hearing in my head in order to express it on
the harmonica. And knowing the relationship of scale tones to chord
tones helped me know when to express what part of it during a
performance. A frame of reference.
Those of you who are good musicians can probably identify the pitches
of the notes you hear in your head. But I'm still impressed with a
musician who can look at a piece of sheet music and hum it. I'm much
more limited, although I'm a lot better than i used to be.
But, since we've been talking about improvisation, imitation and
learning to play what you feel, the point i wanted to share with
those, like myself, who operate without formal musical training is
that learning scales can be the key to unlocking the ability to know
what you are hearing in your head well enough to be able to play it
on the harmonica. And this is especially true if you don't have a
well developed an ear for pitch. Anyway, it certainly helped me a lot.
My next project is to learn more arpeggios.
JP
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