[Harp-L] RE: Harp-L Digest, Vol 71, Issue 121
- To: <harp-l@xxxxxxxxxx>
- Subject: [Harp-L] RE: Harp-L Digest, Vol 71, Issue 121
- From: "Bill Otten" <harpman54@xxxxxxxxxxxxxxx>
- Date: Wed, 29 Jul 2009 07:17:00 -0400
- In-reply-to: <200907290039.n6T0cufo025844@harp-l.com>
- References: <200907290039.n6T0cufo025844@harp-l.com>
- Thread-index: AcoP7mx5kO/u9gHWSR2fU2DUOxFtgAATWSvQ
Grant Walters <grant@xxxxxxxxxxxxx> asked:
Previous messages have recently spoken about the hammond B3 sound (I
assume with Diatonic harp) while using a string of effects. (POG
included)(I am not my best on Chromatic or Echo)
.
Simple Question...
Is anyone using a device...one only please, that would get a tweed amp
sound and combine the B3 with Leslie sound or could also provide cool
Accordion sound.
One could just play straight though to the P.A..
Grant, I picked up on trying to get this B3 sound after doing a gig with
Cary Bell years ago in which he had incorporated it into his show.
I went looking and finally settled on a Korg G4 Rotary Speaker Simulator.
Slows up and down like a Leslie cabinet with the pedal, has a spread
effect to simulate the speakers spread on stage. Very good sound, have
even recorded with it on a couple albums.
I also use the Leslie sound out of a Line 6 POD, but find the effect there
not as convincing. Both work well directly into the PA, the Korg is better.
Bill Otten
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