Re: [Harp-L] Harmonica Karma Sutra
- To: IcemanLE@xxxxxxx, Harp-L <harp-l@xxxxxxxxxx>
- Subject: Re: [Harp-L] Harmonica Karma Sutra
- From: Derwood <derwood.blues@xxxxxxxxx>
- Date: Wed, 8 Jul 2009 16:13:40 -0400
- Cc:
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I think we are talking past each other.
The "standard" C scale is C D E F G A B C.
On a G harmonica without bending you get C D E F# G A B C. the F# is in draw
hole 7 so you might be able to bend it to F.
Now unless I want to go out of the standard scale with bends why would I use
this?
I use second position so that I can have the flat 7 as well as be able to
easily bend down the 3rd and 5th. So I am departing from the "standard"
scale.
So what specifically do you gain in the 12th position? A flat 5th? So it
might have advantages for blues but what is the advantage over 2nd position?
Again I am exploring not criticizing.
Derwood
On Wed, Jul 8, 2009 at 2:52 PM, <IcemanLE@xxxxxxx> wrote:
> Your statements about notes outside scales and non standard scales
> indicate you may be heading down a wrong path in understanding how music
> works.
>
> It is the harmonica set up (where the notes live) that is the challenge.
>
> A simplified version of harmonica positions may be - 12th position offers
> the same note relationships that 1st position offers, although, with 12th
> position, you need a stronger control of notes created through bending
> techniques.
>
> First position on a "C" harmonica will give you C Major scale notes. 12th
> position on a "G" harmonica will give you C Major scale notes.
>
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