[Harp-L] Re: Let's talk Little Walter

[HTownFess <Spschndr@xxxxxxx>]

Thanks to Richard & Winslow: this explains why the term is not used
more often in the LW-style context, if rubato requires an established
melody and chord structure.  Can we say that what Jerry Murad and Kim
Wilson do with "Cherry Pink and Apple Blossom White" involves rubato?
Or someone's contemporary note-for-note recitation of an LW
instrumental?

Stephen Schneider

On Jul 1, 11:57 am, Richard Hunter <turtleh...@xxxxxxxxxxxxx> wrote:
> HTownFess wrote:
>
> <Is this rhythmic feel what is called rubato?  I'm not showing off, but
> <trying to confirm the usage, which I first noticed in Jerry Wexler's
> <autobiography, when he talked about Willie Nelson's singing and
> <likened it to Sinatra's in that regard, IIRC.  The Wikipedia entry has
> <some interesting quotations on the topic from the classical field.
> <
> <On Jun 30, 10:20 pm, Icema...@xxxxxxx wrote:
> <> This is playing free of the metric time while being responsible to  it.
> <>
> <> Once you have the feel of the groove and the tempo engraved in your soul,  
> <> you have the ability to ignore them and phrase however you wish, as long as  
> <> you are able to catlike land on your feet.
> <>
>
> No, this is not rubato.  Rubato is about changing the length of the basic pulse, not moving bar lines, which is what Walter did.  
>
> When you hear a classical pianist play Chopin, speeding phrases up or slowing them down to emphasize the emotion of a line, that's rubato.  When Walter changes chords two beats early, that's something different.  Walter's approach to phrasing in this regard is similar to lots of traditional blues musicians.  For an extreme example, check out pianist Champion Jack Dupree's "Live from Montreaux" album.
>
> Regards, Richard Hunter
> latest mp3s and harmonica blog athttp://myspace.com/richardhunterharp
> more mp3s athttp://taxi.com/rhunter ;
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