Re: [Harp-L] Melodica
- To: bradford.trainham@xxxxxxxxxxxxx
- Subject: Re: [Harp-L] Melodica
- From: Chesper Nevins <chespernevins@xxxxxxxxx>
- Date: Fri, 30 Jan 2009 20:37:14 -0500
- Cc: harp-l@xxxxxxxxxx
- Dkim-signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=gamma; h=domainkey-signature:mime-version:received:in-reply-to:references :date:message-id:subject:from:to:cc:content-type :content-transfer-encoding; bh=QK1z94R63GF3DSmi6sbKzd4FJBFwx/S8QtbsIs8MlI4=; b=OUliFTT+n+Z2B6fXHwpsXyKtt+QZq6Mjxnc6EvdQupnN0ioUWuBCrpDs9Vf4JsjQB9 KfmF+dHX+3ChtjVOkOyGdlNL92ttTtOB8XDDXL70QomXt0hUiKboi+JNqw2qBGV5+bwc 4nlh/9bvJF8hFp3beQFtlu2Ws8sTDgOaXtfOE=
- Domainkey-signature: a=rsa-sha1; c=nofws; d=gmail.com; s=gamma; h=mime-version:in-reply-to:references:date:message-id:subject:from:to :cc:content-type:content-transfer-encoding; b=cycA65HiLybC2AOm+f8OLX4q1SptKCC/Im60GwdCtXeo79DC9yDw+nXlYjf5m6h/9B d8DQkDg4uV8Lwp+6IcxLpZa0jXGBDAgGX2I0XHUm/yYslvLFAM8RVzUyGqNyGSj/U0OL 9GN6KSiOW8c25lK/rzCrJJFec0mA9GnGYnsBg=
- In-reply-to: <4983965c.2989260a.786a.fffff193SMTPIN_ADDED@mx.google.com>
- References: <bcaf98a0901301351od2c82a6i9aa927c52fae3027@mail.gmail.com> <4983965c.2989260a.786a.fffff193SMTPIN_ADDED@mx.google.com>
He takes the mouthpiece off and just plays into the hole on the end,
which gets you that much closer to the reed. It's still not that easy
to bend a note, but he seems to do it!
On Fri, Jan 30, 2009 at 7:07 PM, Bradford Trainham
<bradford.trainham@xxxxxxxxxxxxx> wrote:
> Thanks for posting that. I've certainly never heard anyone play that fast,
> that long on the melodica.
> Was it just me, or does he occasionally bend a note? If so, is there some
> technique with the mouthpiece that would accomplish a bend?
> I may have to, as someone else said "dust off mine" too.
> Brad Trainham
>
>
> -----Original Message-----
> From: harp-l-bounces@xxxxxxxxxx [mailto:harp-l-bounces@xxxxxxxxxx] On Behalf
> Of Chesper Nevins
> Sent: Friday, January 30, 2009 3:52 PM
> To: harp-l@xxxxxxxxxx
> Subject: Re: [Harp-L] Melodica
>
> Hermeto Pascoal on melodica:
>
> http://www.youtube.com/watch?v=fvtI_h_nE1g
> http://www.youtube.com/watch?v=_6maZJA0-Yc&
>
>
> On 1/30/09, IcemanLE@xxxxxxx <IcemanLE@xxxxxxx> wrote:
>> Works great in a band setting, but not an "in yo face" volume band
> setting.
>>
>> Nneena Freelon used to travel with a first class back up band, road
>> tested and tweaked over a number of years to divine understated
>> perfection. They used a Melodica to great effect in a few songs -
>> not too many, mind you, but it was the perfect sound for a few
> understated tunes.
>>
>>
>> In a message dated 1/30/2009 3:47:17 P.M. Eastern Standard Time,
>> markwilson53@xxxxxxx writes:
>>
>> I'm
>> wondering how it would hold up in a band setting.
>>
>> **************A Good Credit Score is 700 or Above. See yours in just
>> 2 easy steps!
>>
>> (http://pr.atwola.com/promoclk/100000075x1215855013x1201028747/aol?red
>> ir=http://www.freecreditreport.com/pm/default.aspx?sc=668072%26hmpgID=
>> 62%26bcd=De
>> cemailfooterNO62)
>> _______________________________________________
>> Harp-L is sponsored by SPAH, http://www.spah.org Harp-L@xxxxxxxxxx
>> http://harp-l.org/mailman/listinfo/harp-l
>>
>
>
> --
> See the website I put together for Bill Romel:
> http://harmonica-workshop.com
> <a href="http://harmonica-workshop.com/index.html">Bill Romel's Harmonica
> Workshop</a> _______________________________________________
> Harp-L is sponsored by SPAH, http://www.spah.org Harp-L@xxxxxxxxxx
> http://harp-l.org/mailman/listinfo/harp-l
>
>
--
See the website I put together for Bill Romel:
http://harmonica-workshop.com
<a href="http://harmonica-workshop.com/index.html">Bill Romel's
Harmonica Workshop</a>
This archive was generated by a fusion of
Pipermail 0.09 (Mailman edition) and
MHonArc 2.6.8.