I actually thought a lot about that today.
I think the reason I don't like second position for that song as
much
has to do with my choice to play acoustic harp.
Acoustic harp on that song, in second position accidentally injects
an almost cow-boyish feel into the song which isn't what I want.
The mood of the song (to me) more fits the exhausted end of a rock-
&-Roll all-nighter and somehow, third position, in that
configuration
better addresses that feeling.
I've moved us now into the unverifiable/subjective, but third
position on that one isn't really that hard and you don't have to
use
that f# over-blow on 5, so give it a shot.
Brad Trainham
-----Original Message-----
From: John F. Potts [mailto:hvyj@xxxxxxx]
Sent: Wednesday, January 14, 2009 11:35 PM
To: bradford.trainham@xxxxxxxxxxxxx
Cc: harp-l@xxxxxxxxxx
Subject: Re: [Harp-L] Roadhouse blues and other rock standards
Brad,
I'm not completely happy with 2d either. i was thinking of trying
3d the next time i have a chance to play it.
JP
On Jan 15, 2009, at 12:26 AM, Bradford Trainham wrote:
I do Wild Night in second position on a c harp, but I've never been
completely satisfied with that.
Instead of the cool sax thing he does for a break, I usually play a
verse, doing essentially what the singer does.
This works, but I'd like to be able to credibly tap in to that
phased sax or what ever the effect is he has on that.
Brad Trainham