Re: [Harp-L] Country Western harmonica players
On Jan 7, 2009, at 12:26 AM, steve@xxxxxxxxxxxx wrote:
The following is my opinion and should not necessarily be construed
as the truth:
If harmonica players today want to work, at least in most local
venues, they need to understand that harp is, as I think the Iceman
said, a luxury. A solo guitar/singer act can work just fine without
harp. Harmonica can add to the sound, but we shouldn't think it is
the most important element in the sound.
I think taste in playing is the key. I play by ear. I can't play
all the neat stuff that guys like Smo-Joe play.
Nice of you to say that Steve. I'll be on a Caribbean cruise in a
couple weeks, doing some of that 'neat' stuff.
sMoe-joe
p.s. What I really meant to say below was "There are so precious
little places where a fiddle, but especially mandolin and banjo
player can make a living....let them HAVE bluegrass & country musics.
Or the over-my-head stuff that people like Chris Michalek can
play. I am not a really good player. But I know how to be in a
band. I know how to try and find spaces in which to play. Mostly I
don't know what to play in those spaces without a lot of trial and
error, but I'm lucky to have a singer/guitarist who is patient and
is a good friend who lets me work it out in practice.
I love the sound of harp in country music. Don Brooks in the early
Waylon stuff, Mickey Raphael just plain killed in Willie's Stardust
album. Jelly Roll Johnson has a unique sound that works will with
current styles. I love blues harp, too, but I'm basically a country
player, I guess.
This list and going to festivals like Buckeye and SPAH have made me
a much better player. More importanly, they have allowed me to make
many new friends with the same interests and what could be better
than that.
Steve Webb, waxing philosophical in Minnesota
---- Joe and Cass Leone <leone@xxxxxxxx> wrote:
I have to be frank and honest here and say "Who needs em".
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