[Harp-L] Re: Richter Tuning
- To: Harp-L <harp-l@xxxxxxxxxx>
- Subject: [Harp-L] Re: Richter Tuning
- From: Steve Baker <steve@xxxxxxxxxxxxx>
- Date: Sat, 19 Dec 2009 11:23:06 +0100
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Up until the late 1950s (and possibly even later), Richter harmonicas
were tuned at the Hohner factory not by comparing the pitch of each
reed to that of its rquivalent on a master plate, but by sounding a
reference bell (actually a metal rod or pipe) which was tuned to the
pitch of one particular note (I believe 3-blow / 2-draw, as this is
found on both reed plates) and then tuning all notes to this so that
they sounded without interference beats. This will automatically give
just intonation. I don't know for sure when compromise tunings were
introduced, but all older harps I've played in the Harmonica Museum
in Trossingen are tuned to just intonation, including some early
Golden Melody style instruments. I think it's fairly safe to say that
this tuning method was the industrial standard across the board for
Richter instruments until the 1960s at least,
Steve Baker
www.stevebaker.de
www.bluesculture.com
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