Re: Re: Fwd: [Harp-L] Gunslingers

mikefugazzi@xxxxxxxxx · Tue, 15 Dec 2009 16:57:05 +0000

Nothing feels better (from a competitive standpoint) then when the person  
you "gotta know" hears you kill people. At the risk of sounding way more  
arrogant then I am, I can think instantly of two times where we opened for  
national acts and had a much better reaction...to the point of people  
walking out during the headliner's first set. Then I should also give  
credit to a couple of national acts who made us look like a high school  
garage band.
Buy yeah, it is almost always who you know that is the x-factor for a band.
On Dec 15, 2009 10:52am, Michael D'Aurizio <mdaurizio@xxxxxxxx> wrote:

I agree totally on being competitive on the business end. I see other  
bands getting bigger and better gigs than mine, and that makes me want to  
compete with those bands for those high profile gigs. The reality in a  
lot of those situations is you gotta know somebody to get those type of  
gigs. It's not always the best band wins. That's life :-) As far as  
competing on a musical level, I try to only compete with myself. I always  
want to find ways of bettering myself musically. It's not about what that  
other musician is doing, it's about what I can bring to the table.

Sent from my Verizon Wireless BlackBerry

-----Original Message-----

From: mikefugazzi@xxxxxxxxx

Date: Tue, 15 Dec 2009 16:25:17

To: harp-l@xxxxxxxxxx>

Subject: Re: Fwd: [Harp-L] Gunslingers

I am competitive by nature, but have really been working hard to let that

go in regards to music. I've chosen to do this because it takes all of the

love out of music for me. I am sure lots of us hear someone online or  
watch

them on YouTube and then have one of the two following thoughts:

1. I suck and will never get to the level of playing I wish to be at.

2. They suck and will never get to the level of playing they wish to be  
at.

The reality of it is, who cares? I would much rather just listen and enjoy

the music. So how do I handle the urge? I try to be mindful of my  
thoughts,

adjust my thinking, and stop trying to compare apples to oranges.

Or I woodshed like mad...currently I am trying to work on chordal vamping

in the hopes of being able to do a breakdown like Kim Wilson, Magic Dick,

or Jason Ricci. That skill in and of itself is sort of an ego driven jam,

but I understand its place in a set and how enjoyable some people can find

it. It is also a technical skill that I can use in my regular playing

besides.

I like to listen to musicians who don't show me all their repetoire every

single song. In fact, I love the idea of not hearing "everything" they  
play

so that the next time I see them, the music still feels fresh. There is a

time to shred, but it doesn't come as often as the time to just be musical

and serve the song.

Locally, I run into harp players that don't want to give anyone else  
credit

or any sort of compliment. Lol. I try not to sweat it, but part of me

probably rests easy because, at least in the blues scene, if they sat in

with my band I could make them look dumb, and if all else fails, I can

probably play "flashier" than they can. Ha! When I first started playing,  
I

had my rear end handed to me a few times...I haven't felt the need to go

back out and prove myself, but if the situation came about, I wouldn't  
fret.

The biggest competitive road block for me has been not being heard. It is

frustrating to try and network like crazy and have bookers and musicians

ignore you. Then months later when they finally hear you, they are

surprised that you don't suck and, in fact, are part of a pretty good  
band.

So I guess my competitive side comes out more on the business end then

playing end.

> --- In harp-l-archives@xxxxxxxxxxxxxxx, robert mcgraw wrote:

> We've covered this territory many times before on harp-l, but why not

> again? A couple of thoughts:

> 1] When I play music with a gunslinger approach, the music suffers. It's

> when I lose my ego that the magic happens...

> 2] Competitiveness comes naturally to human beings; it is a part of our

> nature, I would argue. If you think Charlie Parker and Dizzy and all

> those be-bop guys were never being competitive at those late night jam

> sessions...

> 3] So I agree, music is not a competition; but people are competitive  
[as

> well as cooperative]...it's a dilemma I think.

> So let me pose this question: If you feel competitive, how do you deal

> with it in terms of music? How do you let go of it? Or maybe you don't,

> or maybe you aren't competitive?

> WVa Bob

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