[Harp-L] Australian harp techs ? Neil Graham is my #1 reference...
- Subject: [Harp-L] Australian harp techs ? Neil Graham is my #1 reference...
- From: Robert KOCH <rok68@xxxxxxx>
- Date: Thu, 10 Dec 2009 12:55:51 +0100
- Cc: Harp-L <harp-l@xxxxxxxxxx>
- In-reply-to: <483453.86513.qm@web50808.mail.re2.yahoo.com>
- References: <483453.86513.qm@web50808.mail.re2.yahoo.com>
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The name of Neil Graham came up recently several times in this
thread. I own three of Neil's "Deluxe Professional Custom Hybrid" (C, G
and Ab), his top of the line model. They are among the best harps I own
(Filiskos, Sleighs, Gordons, Moyers, Ramoses)! They are tight, very
responsive, loud and, if nothing else, extremely fast to play. Why?
Three reasons, IMHO.
1) The comb: machined with African blackwood a bit bigger than your
average Hohner Marine Band, the air chambers are gently smoothed and
burnished for improved airflow. The mouthpiece is slightly raised and
the edges are rounded off. This gives a great feel, particularely when
tongue blocking. Neils claims that his mouthpiece design is "an
individual feature" of this custom built. Rightly so...
2) The reed plates: a lot has been said on this list on reed
profile. Neil uses Meisterklasse 580 plates, known by customizers to be
quite difficult to work on. Somehow, he managed to set the*** *offsets
for maximum compression and instant response. Neil also states on his
site that "stress points on reeds are diminished to ensure longer life
and improved performance". I testify to that: during the three years
I've owned these harps, not one single reed went out of tune (I opted
for a compromise tuning when I ordered). I play mostly acoustic and am
known to have little mercy for my instrument.
3) The cover plates: the Hohner Big River covers Neils uses for his
"hybrids" are said to be among the loudest (projection wise) on the
market. Opened out and deepened to prevent reed rattle, these give the
instrument a phenomenal dynamic range (great for acoustic blues!).
Also, a smart little back brace prevents the harps from crushing (a
feature also available on Brad's "B Radical").
Don't know why these beauties seem to be the best kept secret of the
custom harmonica world.
May I add that Neil is charm to work with...
Usual disclaimer applies.
Sunnyside
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