Re: [Harp-L] Renaissance chromatic
1) I honestly don't remember how much I paid for it... after all it was
back in 1996 or 1997... But it seemed like quite a lot of money at the time!
2) No I don't do my own tuning or reed replacement.
Douglas Tate kept it running and in tune to start with, then Antony
Danneker took on the task, lately Michael Timler, of "Harp on Line", in Germany
has serviced it, and he did a terrific job!
3) Yes I do practice on it.... But I like to practice on other chromatics,
in other keys, as well as to practice on diatonics. The only disadvantage
using a Renaissance Chromatic harmonica to practice on is that it is rather
heavy, and if I want a chromatic to take out in my pocket, I will take a
Hohner 270.
I usually practice on the instrument I intend to play prior to a gig for
each tune I'm playing. After all, the response and the volume varies quite a
lot between different models of harmonica.
Best wishes
John Walden
London
England
In a message dated 08/08/2009 21:02:42 GMT Daylight Time,
harpbob@xxxxxxxxxxx writes:
John-
I would love to play a Renny...I'm so envious of you :-)
Couple of questions:
1] What was the price on it?
2] Do you do your own tuning/reed replacement?
3] Do you practice on it? [I have nothing like a Renny, but I do have a
number of very nice customized chromatics; I prefer not to practice on them
{i use out-of-the-box chros for practice}, saving them for gigs.]
WVa Bob
This archive was generated by a fusion of
Pipermail 0.09 (Mailman edition) and
MHonArc 2.6.8.