[Harp-L] Incredible Sugar Ray!!

FINALLY!!! Kay bought a new hot shue stereo mic, this was live at Chan's in 
 Rhode Island, Ray's first club gig with the new Super Sonny ( 410 mod into 
SS ).  Neil the Drummer said he was not blasted by back air, all he could 
feel was the  amps' sound being projected forward. There is just the right 
amount of air being  released from the back.. I have 5 or more Videos that 
will be posted on my  site. 
Sugar Ray Norcia, harp and vocals. Michael "Mudcat" Ward: Bass  Neil  
Gouvin: Drums  Monster Mike Welch: Guitar..........  Sugar Ray and the  
Here is> When the Angels  Sing         
_http://www.youtube.com/watch?v=NV-rZtS4G70_ (http://www.youtube.com/watch?v=NV-rZtS4G70) 
Mother in Law  Blues             
_http://www.youtube.com/watch?v=CHhTmG_ (http://www.youtube.com/watch?v=CHhTmG) 
Sugar and Sonny Jr :  Sorry, Sonny Jr getting his head happily chopped  
We are working on Rocker and a few others. I do not want to post the whole  
show due to the possibility of Pirating, just like they did with that Big 
Walter  live CD that Sugar and the Bluetones were on. It would not be a good 
thing is  someone were to publish these for their own profit. 
I hope you take advantage of the Super Sonny And Cruncher sale as it will  
not last... My EUROPEAN price is the Same as the USA, I see other  companies 
charging over $100 more for a Euro 240V setup, there is no reason  if you 
know what you are doing to charge more, inexperience probably. Existing  410 
owners, contact me now while I can handle as much as possible for design  
modification. Never a tricked out circuit, purity of tone, when You want it.  
That's what I do, and will continue to do so. My manual is partly about my 
amp,  and then gives you information for the rest of your lives of how to 
understand  manipulation of tubes with Any amplifier. It is actually comic to 
see another  company trying to knock what I do with my manual and allowing 
each player the  ability to work with just one or two tubes for every sound 
possible. I guess  that is because they have not gigged for over 30 years with 
thousands of various  mics, amps, bands, room situations. I know what the 
50's Chicago should sound  like, more importantly, feel like, and it is Not a 
fully distorted all the time  sound. The amp could have easily been more 
broken up with just the turn of a  dial, however this is RAY's style, what he 
wanted as I ran his amp's sound that  night, and he was feeling what he was 
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