Re: [Harp-L] Charlie/Joe Spiers

["Abner Galdos" <cdgaldos@xxxxxxxxxxxxx>]

on last April in Palm Beach Florida my wife and I had the great pleasure of hearing Charlie Musselwhite perform.
We sat right up front.  And we had a blast, Mr. Musselwhite is a true legend  a great musician and a true legend  .
Sonnytone you are one lucky guy. any kind of inspiration you can send me pleas do, I'm not saying material I'm saying inspirational.  

abner
  ----- Original Message ----- 
  From: SONNYTONE@xxxxxxx 
  To: harp-l@xxxxxxxxxx 
  Sent: Sunday, April 19, 2009 8:49 PM
  Subject: [Harp-L] Charlie/Joe Spiers


  Charlie Musselwhite has been playing Seydel 1847's for a while now, I have  
  played one, so wanted to treat him with a Joe Spiers custom A harp. Joe  
  donated the harp, no questions, and Charlie loved it for the same reason I do. 
   You don't have to be afraid to play it, he said it gave nicely but he 
  could feel  that extra beef the other builders did not have. Joe just retuned 13 
  of my harps  for a reasonable price in comparison to their cost. I know 
  there are a lot of  very good builders and I am not slighting you, it's just 
  that I have been with  Joe from his first denial from me. He did all the work, 
  the better tuners, the  better technique, I am probably the hardest 
  customer to please, I am sure many  have found that out. So treat yourself, try 
  just one, save as Chuck's element  repair. Charlie really loves his Cruncher 
  and it was great to sit in with him as  I know so many of his famous lines in 
  his songs it was great. Fantastic band  that really puts a lot of time on 
  the road yet produces every night. Perfect  volume, and Charlie you could tell 
  could hear himself as he played things I  never heard him play before. That 
  amp/player thing, many of you feel it with  your own amps. Just to tease, I 
  have another model in the works, it will take  over where everyone is right 
  now, a step up from the Cruncher, more power like  the 410, which if asked, 
  I will certainly build. Otherwise, I am onto something  BIG. 
  There was someone that contacted me about having taped all of Charlie's  
  shows, which when I asked, Charlie was cool with it. I must find his email or 
  if  you are out there, please respond. 
      Charlie's first position was smooth all through the  harp, not just 
  first 4 and last 4 notes or a quick line on the turnaround. He  killed it. This 
  is for all those that were asking about middle first position,  and no 
  overblows. 
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