[Harp-L] Re: Conceptualizing notes
Very excellent posting - listers should pay attention the pure musicality
and depth in approaching the harmonica in this fashion.
Singing the idea/line is something I teach my students. "If you can sing
it, you'll be able to play it with greater understanding."
In a message dated 4/17/2009 8:55:47 A.M. Eastern Daylight Time,
w.dijkgraaf@xxxxxx writes:
As a kid I started playing organ. So, for me the piano keyboard has been
my first and major graphical representation. Also when I started playing
other instruments like the slide trombone, clarinet and much later the
harmonica. While playing harmonica, in my mind I see myself pressing the keys of
a piano keyboard.
Later, I started using the tone clock (see my website on
_http://www.wimdijkgraaf.com_ (http://www.wimdijkgraaf.com/) ) as an additional
representation. The tone clock helps me to find the symmetry and logic in music where
the piano doesn't help me because the keyboard has an a-symmetrical layout. I
don't see the tone clock while playing. It just helps me when I study
music behind the desk.
When I have to learn a tune/harmonic progression, I start
learning/memorizing it on the piano; harmony, melody and improvisational concepts. To check
if I've really memorized the melody and improvisational patterns, I sing
while playing the piano. Only if I've learned to sing and to play it on the
piano, I move to the harmonica just for the additional and important
"harmonica specific muscle memory".
Abraços,
Wim Dijkgraaf
jazz harmonica & composition
e-mail: _info@xxxxxxxxxxxxxxxxx (mailto:info@xxxxxxxxxxxxxxxx)
website: _www.wimdijkgraaf.com_ (http://www.wimdijkgraaf.com/)
watch: _youtube_ (http://www.youtube.com/wimdijkgraaf)
listen: _myspace_ (http://www.myspace.com/wimdijkgraaf)
blog: _blogger_ (http://wimdijkgraaf.blogspot.com/)
Op 16 apr 2009, om 21:31 heeft _harp-l-request@xxxxxxxxxxx
(mailto:harp-l-request@xxxxxxxxxx) het volgende geschreven:
H. Levy and Conceptualizing notes--piano
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