Re: [Harp-L] Some questions for chromatic players..
----- Original Message -----
From: "sam blancato" <samblancato@xxxxxxxxxxx>
To: "Harp-L" <harp-l@xxxxxxxxxx>
Sent: Wednesday, April 15, 2009 9:14 PM
Subject: [Harp-L] Some questions for chromatic players..
What is "Bop Tuning"? I know nothing about this at all.
Wishful thinking
has me hoping that it's a tuning configuration that
eliminates the doubling
of 'C' every 5th hole so that you have two Cs in a row -
this annoys me a
lot. Then I wonder if that's such a desirable thing.
Does it make playing
written music harder or easier?
The extra C is added so that every 4-hole octave can have
the same blow-draw pattern. That definitely makes it easier
to read music because C, E, & G are the only blow notes and
all the others are draw.
I also have two Hohner 270 Super Chromonicas, one in C and
one in G. The G
has a cracked comb and is kind of airy around the crack.
Does anybody sell
a plastic or other material comb that I can buy as a
replacement?
Chris Reynolds makes $50 plastic 270 replacement combs....in
your choice of colors.
http://www.builderofstuff.com/270.html
The reedplates must be modified for screws. If you are not
comfortable doing that, I recommend that you send your harp
to Chris and let him do the work for an extra $25.
The C Hohner is a standard C and I want to get a Tenor C.
Since I seem to
like the 270s and they aren't giving me any trouble
(except the cracked comb
on the G) and play louder and brighter than the big Suzuki
should I just go
and order another 270 in Tenor and have done with or is
there another harp
near in price to the Hohner ($136.00) that one of you
players out there has
found to be just so much better?
The Hohner 270 Tenor will have a wooden comb. You might let
Chris replace it with plastic in the new harp. Screwed-on
reedplates are much easier to work on when you need to
access the inside reeds and windsavers. CX12s have plastic
combs but are more expensive.
Is there a good Chromatic harmonica method book out there
that any of you
have found especially helpful? I have Richard Martin's
book and I plan to
make use of it and, if fact already have. And it seems
okay except that the
book is actually a collection of reprinted articles from
some magazine so
the instruction is a little disjointed. Any suggestions
would be really
helpful.
You can already play harmonica. There are instructions for
learning to read music in
http://www.angelfire.com/music/HarpOn/
That site also has everything you ever wanted to know about
chromatics!
Sometimes Bonfiglio gives lessons and seminars on what you
do with your mouth.
Musically, I can really see how some kinds of jazz and
swing would really
sound great on a chromatic but I can also see how some
other stuff wouldn't
sound right...............
The point is I don't think everything works.
I suggest that you play on a diatonic whatever you can.
There will be a whole universe of jazz, classical, and 20th
century pop for which you'll need a chromatic.
I've heard some really fast stuff played on the chro,
If you want fast, hear/see Franz Chmel playing "Variations
on Carnival of Venice" on Youtube.
Vern
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