[Harp-L] Re: Crossover
- To: Harp-L <harp-l@xxxxxxxxxx>
- Subject: [Harp-L] Re: Crossover
- From: Steve Baker <steve@xxxxxxxxxxxxx>
- Date: Wed, 8 Apr 2009 12:26:20 +0200
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Vern wrote:
Bamboo may very well make an excellent mechanical comb
material because it is laminated, straight-grained, hard,
stable in the presence of moisture, readily available, and
blonde.
SB:
It makes an excellent comb material but requires sealing completely
with water-resistant laquer. For
Vern:
I challenge the notion that bamboo or any other comb
material perceptibly affects the sound of a harmonica. If
anyone can demonstrate the ability to hear differences
between pearwood and bamboo combs under controlled
conditions, they can win my $1000 wager!
SB:
I'm aware of the contention surrounding this subject and deliberately
made no claims that there is any "objective" difference. I'm happy
for players to reach their own conclusions.
Vern:
You mentioned a "blind test" and that the participants
played the harps "without knowing
the others' preferences or the materials tested" . How were
the distinguished players or listeners denied the knowledge
of the comb materials in the harps that they were hearing or
playing? What was the test protocol?
SB:
They were simply given a bunch of harps to play and asked to compare
them and note their opinions on the points mentioned. Comb materials
were not mentioned but the players could see that there were
different materials involved. Using a 1 - 10 scale is a bit like
awarding points to fine wines, it's certainly not an exact science
but it does enable experts to make valid comparisons. The numbers
were added up to determine any overall preferences. We were surprised
by the degree of unanimity.
Vern:
I am also curious to know the mechanisms by which the
properties of comb materials perceptibly affect "volume,
tone, response, bending, overblow and general
playability".....on a scale of 1 to 10!
SB:
Nobody has claimed there are any such mechanisms, we simply asked a
bunch of top players to compare a fairly large (I think it was about
15) series of instruments which had been set up as close to
identically as possible. We also swapped reed plates & combs around
to eliminate errors through the the fact that one set of reeds was
simply better than another. The main purpose of the test was to
investigate reed profiles, the combs were secondary and no-one had an
agenda to prove that any particular material was superior or inferior,
Steve
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