[Harp-L] Re: Combs
- To: Harp-L <harp-l@xxxxxxxxxx>
- Subject: [Harp-L] Re: Combs
- From: Steve Baker <steve@xxxxxxxxxxxxx>
- Date: Thu, 18 Sep 2008 09:46:37 +0200
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At the risk of provoking the scorn of those with a divergent opinion
I'd like to sketch my own experience with combs made of different
materials:
During the last couple of years in the course of my work for Hohner
I've made fairly exhaustive tests comparing combs made of various
woods and other materials, using Marine Band Deluxe reed plates and
covers due to the ease of assembling and disassembling them. I not
only compared identical instruments fitted with different combs, but
also swopped the reed plates so I could hear the same comb with a
different set of plates in order to eliminate possible differences in
reedplate quality. In addition I regularly play many of these
instruments on stage, often swopping harps in mid song to see if
there's a difference or to switch to one whose sound and playing feel
I prefer. I hear and perceive distinct differences not only between
different woods but also between wood and plastic, and also between
woods treated with different finishes. I haven't been able to conduct
tests using identical reedplates and covers with metal combs, but my
experiences with various harps fitted with metal combs lead me to
believe there is definitely a difference. A Hohner Meisterklasse MS
will sound slightly different with a wooden or plastic comb and it
will certainly feel different. Try it yourseof - the parts are
compatible after all. These tests have led me to clear personal
preferences. It's true that the outside listener might not notice any
difference, because we're talking about nuances here, but I certainly
notice enough difference to make me switch from one to another in the
middle of a song in order to make my music sound the way I want it to
sound to me. It's a moot point whether even a knowledgeable listener
will be able to hear the difference between a Stradivarius and a
medium priced violin, but believe me someone like Nigel Kennedy can,
and that's why top violinists are prepared to pay astronomical prices
in order to get one.
Elizabeth's point about possible toxicity is something I can only
agree with. Many woods can cause allergic reactions and there are
harmonicas on the market that I will not play for this reason,
Steve
Steve Baker
steve@xxxxxxxxxxxxx
www.stevebaker.de
www.bluesculture.com
www.youtube.com/stevebakerbluesharp
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