Subject: [Harp-L] Re: Comb material
Hi Tom:
..not getting into the whole 'comb material doesn't matter' debate, since I
believe that it has always been up to the player to decide whether or not the
harmonica sounded 'warm' or 'metallic' to his/her own ears...and it's not
anyone else's business to make that determination for another musician. It's
entirely up to me (and you) to decide what it is we hear and what instruments
we wish to play. We do still have the freedom to purchase and play our
instruments according to our wants, needs and tastes.
Personally...I love the look (and heft) of Chris Reynolds' combs after
checking out a couple of his harps at SPAH. I like the idea of titanium combs
too, but I still love the sound I hear in my small, little old 260 wood-combed
Hohner chromatic. No reason one can't like them all.
Nevertheless...in re the discussion of what woods would work for combs,
please do keep in mind that there are a great many woods that can be toxic, and
probably not a good idea to use for harmonica combs. Here's a link from the
Musical Instrument Makers Forum with a bit more information:
_http://www.mimf.com/archives/toxic.htm_
(http://www.mimf.com/archives/toxic.htm)
..this subject has been raised before, either here or on another harp list
and from some of the past posts (if I remember correctly), I don't believe a
sealant was enough to block the toxicity for a mouth instrument. I did know
about the toxicity to other plants of Black Walnut, and always get a rash on
my arms if I trim the yews in my garden...but didn't know much about most of
the rest. Live and learn.
Elizabeth
Message: 8
Date: Tue, 16 Sep 2008 21:08:04 -0700 (PDT)
From: Isaac Ullah <iiullah@xxxxxxxxx>
Subject: [Harp-L] Re: Comb material
To: harp-l@xxxxxxxxxx, thalchak@xxxxxxxxxxxxxxx
Message-ID: <714220.83669.qm@xxxxxxxxxxxxxxxxxxxxxxxxxxx>
Content-Type: text/plain; charset=iso-8859-1
Hi Tom, out here in the Southwest, a lot of outdoor furniture is made out of
acacia wood. I in fact have a set of acacia wood patio furnature that I've
had outside for two years of 120 degree summers, crazy monsoon rains, and
gentler but more sustained winter rains. They still look like new. being an
amature woodworker in addition to a harp player and a general tinkerer, I've of
course been thinking lately about going down to the local woodworkers source
and buying some small stock blanks of acacia wood to try to mill my own combs
out of... I am thinking that it would be WAY more moisture resistant than
traditional comb materials (ie. fruitwoods) while also being way easier to mill
than hardwoods like oak. Of course I don't own any kind of sofisticated
milling equipment, so my combs would probably suck (I NEED to get a drill press!)
:) If you can't get your hands on acacia, I think teak would probably share
the same benefits. Another southwestern wood
that would probably work great is ironwood, but, as the name suggests,
ironwood is considerably harder than acacia or teak... Let me know if you go ahead
with this, and if you do end up making prototypes, I would (of course) love
to test some out for ya! By the way, if I was to make my own combs, they'd be
for MS (copying the Blues Harp comb)...Cheers from sunny Phoenix,Isaac
Ullah
>>On the subject of comb material - I am curious about the pros and cons of
making combs out of different types of wood. We all know that the wood
combs on Marine Bands swell up when they get wet and become uncomfortable to
play, so we migrate to the plastic combs of the Special 20's or the Golden
Melodies. But what about other types of wood like oak or mahogany or ebony
or maple or elm or others? Has anybody ever experimented with using these
or other types of wood? I know that Seydel has a harmonica the appears to
be made entirely of wood, but I haven't pulled the trigger and purchased
one. I have also looked at the brass combs made by Chris Reynolds at
builderofstuff.com. His workmanship is impressive but still I wonder about
a more economical option. I have a friend that owns a woodworking shop with
some very high end computerized (we are talking $200,000 pieces of
equipment) milling equipment. I've seen these things in action and they are
amazing - totally computerized, very precise. He also happens to be a harp
player and an inventor who hold a few patents. I'm sure I could get him to
make some combs for me. If anybody has some suggestions or comments I'd
like to hear them. If I can identify an ideal material and can get this set
up I would probably be willing to send some combs out to those of you who
are interested so you can have an opportunity to try them. No promises, but
I am thinking that once the computer program is set up the cost of material
won't be much - it's a little piece of wood! If I can make it happen, and
it doesn't cost me too much I would be happy to send out some samples for
field testing. I would love to hear from you.
Tom H
Clearwater, FL
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