[Harp-L] amp or amplified
I have never fully understood why so many players who play electric
harmonica think it is preferable to play through an amp rather than
just going in to the board (if there is a board). If the player is
in quest of the so-called Chicago sound, then an amp is probably
better. I personally prefer a somewhat cleaner sound. If the player
(or the sound man) understands how to tweak the board and if the
player has a good mic, good breath technique and pays attention to
the proximity and position of the harp relative to the mic element
and how tight or loose the mic is cupped, tone does not suffer
because an amp is not used, (unless, of course, the player wants
that distinctive distorted overdriven Chicago sound all night long on
every tune).
I will use an amp only when i have to. When I do, i generally
prefer 10 inch speakers. I suppose if one is using a lot of
effects, having one's own amp provides greater control. But it has
been my experience many effects work just as well into the board.
And it's a whole lot quicker, simpler and less hassle to go in to the
board. Most of the time, the tone i wish to achieve does not suffer
from lack of an amp and i can get a wider variety of textures playing
into the board and better dynamics without needing a volume control
on my mic.
I carry my performing set of 13 harps in a Cumberland leather
case, 7 or 8 spare harps of the most used keys in a Lee Oskar soft
case, an EV re15 and an Audix fireball microphones, an XLR cord with
an on/off switch and a separate pigtail transformer (just in case I
am required to go into an amp or other hi-Z input) all in a Meinil
zippered drum stick case. It's very portable and compact, holds
everything i need and is very easy and inconspicuous to carry. I
can get my performing harps, mic and cord out of the case, get
plugged in, set up and ready to play (or check volume and tone
levels) in about 90 seconds (or less) after being called on stage
from a standing start holding a closed case.
I'm not knocking amps. I have a couple of my own and i like them.
I just don't feel the need to use them very often. Perhaps players
that use bullet style mics may have different needs. But I do not
use bullet mics myself (I'll use a Shure 545 or Fireball V in
situations when i do go into an amp) . I can get an overdriven or
dirty sound when I want to by using breath and mic handling
techniques without an amp. I'm sure some other players feel
differently, but, if an electric player's tone and technique are
decent, I'm not convinced that lugging an amp around to sit in
provides a significant sonic advantage in most situations.
Of course, in large venues, with a PA snake, sound man, large house
PA, etc. the same considerations may not apply. But that is not the
typical gig situation for most of us most of the time.
JP
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