[Harp-L] Re: blue notes and micro-tonality
- To: harp-l@xxxxxxxxxx
- Subject: [Harp-L] Re: blue notes and micro-tonality
- From: Bill Rossoll <billrossoll@xxxxxxxxx>
- Date: Sat, 06 Sep 2008 11:26:18 -0400
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The blue notes, to me at least, are notes that are only incrementally
flat.They are only cents away from the absolute pitch even if the
absolute is a quarter step. (or create the illusion of being so,as with
fixed pitch instruments such as piano.) You can hear something different
about them but you can't quite put your finger on it. That is why they
are impossible to express in standard notation form.They set up a
certain kind of musical tension that begs for resolution.And, they are
not usually static in their rhythmic placement.They are fluid. Ray
Charles was a master of the blue note, especially in his vocals.
When I was a kid, I was blown away by a song called "Yes, I'm Ready" by
Barbara Mason. Try to hit the exact pitches she hits.Good luck.
http://www.youtube.com/watch?v=1lfuq6vp5tY
Little Eva had this ability as well.
http://www.youtube.com/watch?v=hjFR_mLYToQ
I don't know if those are technically "blue" notes but that type of
tension and resolution is inescapable.It seems like a lot of blues
vocalists get better and better at this as they age, though I don't
think it is a conscious effort on their part.Vibrato on a bent note
accomplishes this to an extent.
As always, just my opinion
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