[Harp-L] Magic Harps
- To: Harp-L <harp-l@xxxxxxxxxx>
- Subject: [Harp-L] Magic Harps
- From: Steve Baker <steve@xxxxxxxxxxxxx>
- Date: Mon, 20 Oct 2008 13:13:10 +0200
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As mentioned in other postings, Magic Dick and Pierre Beauregard
patented a range of alternate tunings for the 10-hole. These are
aimed at rendering the instrument more suitable for melody and
related chord playing in various different styles without the
necessity of overblowing. Hohner made them a bunch of prototypes
based on the Classic Marine Band in the late 90s and I possess three
of these samples. Jerry Portnoy was testing them for Dick & Pierre
and used them during his time with Eric Clapton to play numbers such
as Layla.
The ideas are great and without question allow you to play things
which would be impossible on standard tuning. Unfortunately they
possess the same potential advantages and disadvantages that
characterize all alternate tunings (also for guitar). You need to
learn your way around each one and draw a mental map to be able to
use it in a musically meaningful fashion. How many guitarists can
really cope with alternate tunings? My experience suggests maximum 10
- 20%. I once asked Lee Oskar what proportion of his production was
alternate tunings (natural minor, melody maker, harmonic minor). He
told me all together 2%. Most harp players I know can't deal with
country (major 7th) tuning, even though it offers enormous advantages
and only one note is different from standard tuning.
Hohner need to make fairly large production runs to reduce the costs
of retooling for each tuning and key. Dick and Pierre need to be able
to offer the instruments at a competitive price. As there are a
significant number of different tunings, all in different keys, you
need to multiply each run by both those numbers to get the total
number of instruments produced. The sums involved are considerable,
so the whole thing has as yet not happened. These tunings are all
patented and Dick and Pierre understandably want to market them
exclusively, so it seems to be questionable whether both the
economics and the protection of intellectual property can be reconciled,
Steve
Steve Baker
steve@xxxxxxxxxxxxx
www.stevebaker.de
www.bluesculture.com
www.youtube.com/stevebakerbluesharp
www.myspace.com/stevebakerbluesharp
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