Re: [Harp-L] coltrane
I heard Jimmy Reed "Mathis James Reed" playing high notes on the diatonic
some 40 years ago, and that inspired me.
I also heard Larrry Adler on the chromatic Harmonica, playing in the high
register. That inspired me too. Mustn't forget the great Max Goldray, one of
the greatest jazz harmonicists of all time. He LOVED the high notes as well!
I also listened to Coltrane, but preferred Lucky Thompson!
I guess we all have MANY influences.
John Walden
London
England
<<michaelrubinharmonica@xxxxxxxxx writes:
Winslow says that just because Magic Dick claims to have heard
Coltrane play high and powerful on the high notes and Dick correlates
this to his high note playing that this does
not constitute a significant influence from Coltrane on Dick. Winslow
says there were many sax players that do this as well as many harp
players.
It may be that Coltrane learned this idea by imitating others or that
DIck would have eventually come across this idea elsewhere. But that
is conjecture. All we can go by is Dick's claim that he thought of it
after hearing Coltrane. To me, that is a significant influence, even
if Dick did not transcribe and repeat Coltrane's lines note for note.
Anything that turns on the lightbulb is significant to me and
although the influencer might have been influenced by other people,
that does not change the importance of the messenger.
Michael Rubin >>
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