Re: [Harp-L] Creating solid notes through bending techinques - wasSummertime ...
T.D.'s Boogie, Pine Top Boogie and boogies in general are good
practice for the first few holes. You will use the 2 bends and
natural in hole 2, the 3 bends and natural in hole 3, and usually the
1 bend and natural in hole 1. Getting the bends at boogie speed is
good training for crisp hits. It leads to faster pieces, but makes
the control on slow ballads sooooo much easier.
smo-joe
On Oct 3, 2008, at 6:07 AM, BiscuitBoy714@xxxxxxx wrote:
This reminds me of something I went through in my learning
curve that might help somebody with controlling the 3 bend, if a
person was so inclined to want to work on it. It would help in a
lot of ways if you ask me, but it is more blues rock oriented.
The song "Stoop Down 39" by the J Geils band starts out
with a harp lead right off of the bat. It's kinda tricky to play
because of the way Dick plays around with the 3 bend. When I was
young (was I ever young?) I learned how to play the intro lead on
Chromo because I just couldn't get the way he was bending the 3
hole around to get 3 distinct notes on diatonic. I guess it was
good for me because I learned how to play that whole intro lead on
chromo. Then when I really, and I mean (REALLY), got gooder at
bending, I could do it all on a diatonic. In fact it is good
practice to play as many of the bends and get 3 clean notes out of
them as you can. Start on the 2 hole and bend all the way down,
then let up a little, then all the way and listen to the chromatic
walk up.
Good practice exorcizes that don't bore the stuffnzz
outta ya.
Randy
BiscuitBoy Blues
In a message dated 10/3/2008 12:49:29 A.M. Eastern Daylight Time,
leone@xxxxxxxx writes:
The other day, I mentioned the tune 'Ruby Gentry'. That was
one of my first tunes on chromo. But when I tried it on diatonic, I
had trouble with it
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