Re: [Harp-L] Re: Gregoire Maret

["Chesper Nevins" <chespernevins@xxxxxxxxx>]

I have enjoyed some of the sound clips of Matthias Broede.

For example:

http://www.matthiasbroede.com/audio/neunNullFuenfEins.mp3

and

http://www.matthiasbroede.com/audio/derSiebener.mp3

see the page:

http://www.matthiasbroede.com/disko.htm

Does he fulfill the requirements you lay out, would you say?  (I ask
with no sarcasm, irony or anything, just wonder what you think.)

On Fri, Nov 7, 2008 at 4:57 PM, Richard Hammersley
<rhhammersley@xxxxxxxxxxxxxx> wrote:
>  I would also like to endorse Gregorie Maret. Not only is he playing with
> some big jazz names, but he has the chops to match. The album I found that
> showcases him  best is:
>
> Andy Milne & Grégoire Maret - Scenarios
>
> Which is on itunes for a start.
>
> There are a few harp players playing really well in traditional jazz idioms
> up to bop, but I haven't heard anyone else who is so strong in post-bop
> jazz, except maybe Chris Michalek on Monk Alters Chi. Anyone got any other
> suggestions? Remember I am looking for top level post-bop jazz with
> harmonica, NOT top level harmonica playing weakish jazz, or the players of
> older styles - there there are Toots, Larry and many others.
>
>>
>
> Richard Hammersley
> Grantshouse, Scottish Borders
> http://www.last.fm/music/Richard+Hammersley
> http://www.myspace.com/rhammersley
> http://www.myspace.com/magpiesittingdown
>
>
>
>
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-- 
See the website I put together for Bill Romel:
http://harmonica-workshop.com
<a href="http://harmonica-workshop.com/index.html";>Bill Romel's
Harmonica Workshop</a>