Re: [Harp-L] my recording rights?
- To: harp-l@xxxxxxxxxx
- Subject: Re: [Harp-L] my recording rights?
- From: Danny <bassharp@xxxxxxxxxxxxx>
- Date: Sun, 18 May 2008 22:09:16 -0400
- Cc: Tom Ball <havaball@xxxxxxx>, brianstear@xxxxxxxxxxxxx
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Hi All,
Point of reference on the topic, though it deals with on-camera film in
my case.
Our trio was approached by film producer Paul Thomas Anderson regarding
appearing in his upcoming 1999 film "Magnolia" after having caught us on
stage in Los Angeles.
I was not involved in the business end of the arrangements, but was glad
to hear that he did in fact want us to be included. So our business
manager followed up on the matter. After spending one day rehearsing on
stage at the film studio, and another day at the wardrobe fitting, then
six days in the film studio, we were in fact included in the film!
Check it at:
http://www.bassharp.com/nwht-magnolia.htm
My point is that after we were finished with our minor part in the film,
and well before the film was wrapped, I learned when checking with the
AFM Local 47 (Musicians Union - Los Angeles), they had not be notified,
and we stood to loose some serious money without credits. So I did the
paperwork, which greatly increased our interest in the project! Then
later I learned from our business manager that he had "informed" the
union of our project, and we could expect more pay than he had initially
been offered. To this day he is unaware that it was I who had "taken
care of business," and not he, but for that, he receives double the
payment that we as trio members receive! We still receive a mere
pittance every July 1, but even that is greater than it would have been
initially!
My point: yes, you must speak up for yourself if you wish to be properly
compensated for your work/art/whatever you do.
Danny
--
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
BassHarp
PO Box 5061
Hudson, FL 34674-5061
* Available for Session Work
* http://www.bassharp.com/bh_itin.htm
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