Gary -
As I long time admirer of William Clarke and his style of blues
this thread is of great interest to me. I couldn't agree more with
your assertion that the chromatic is and should be treated as a
"true instrument." You are also right to point out that many blues
players (myself included!) fail to use a single chromatic harp to
play along with blues and swing numbers in any/every key. From a
musicianship standpoint playing in more than one key is a major goal
of mine (and probably will remain so for a long time - so much to
learn so little time) - however, the reasons to use different key
chromatics for different key songs (ala 3rd position) extend beyond
mere musicianship. You touch upon this only briefly in your post -
that is, there is a distinct sound that can be achieved when playing
chromatic in 3rd (even with liberal button use) that cannot be
achieved by playing with only one chromatic.
I went and listened to your clips and must say your playing is
really great - even more impressive to think that you played all of
those songs and styles using a single chromatic. however, I think
that if you were playing more amplified blues (like Clarke) the
sound would just not be the same IMHO. I know that you mention in
your post that when you amplified your chromatic in a blues setting
you could not tell the difference between chromatic and diatonic.
Hmmm.. must say that in my experience I definitely hear a difference
when I amplify my chromatics - maybe it is because I am using
octaves a lot - not sure... For me it is this variation in tone/
sound that I like - breaks up the night and gives the audience (and
me!) a different sound to listen to....
I am interested in what others have to say... I still consider
myself a neophyte on the chromatic so I always enjoy the input of
accomplished harp-l members...
Kurt Crandall
www.kurtcrandall.com
www.myspace.com/kurtcrandall
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