Re: [Harp-L] EQ'ing for harp
- To: harp-l@xxxxxxxxxx, "Captron100@xxxxxxx" <Captron100@xxxxxxx>
- Subject: Re: [Harp-L] EQ'ing for harp
- From: Richard Hunter <turtlehill@xxxxxxxxxxxxx>
- Date: Tue, 25 Mar 2008 11:38:15 -0500
- Cc:
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- In-reply-to: <200803251409.m2PE9tUq015566@harp-l.com>
- Organization: Turtle Hill Productions
- References: <200803251409.m2PE9tUq015566@harp-l.com>
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captron100@xxxxxxx wrote:
<? I recently used a mixer that had 2 knobs for mids. I know that
<basically, harp players usually turn up bass and lower trebles, but
<what do ya'll do with your mids?
The question is, what are the frequency bands that those mid-range
controls are affecting? And what frequencies is your mic already
emphasizing?
In general, emphasizing the low mid-range--around 250 Hz--tends to make
the harp sound bigger and fatter. When you go into the high midrange,
around 3000-5000 Hz, you're going to collide with any amped guitar in
the room, because guitar amps put out a lot of energy in that range.
These frequencies are also pretty harsh, and too much energy in that
range tends to annoy the audience. So if you've got mid-frequency
knobs, start by turning up the one that affects the lower mids.
Bullet-type mics tend to top out around 5000-6000 Hz in terms of their
frequency response, so when you turn up the volume on your amp and
you're using a bullet mic, you're probably going to emphasize that range
in any case.
My experience with most tube amps--especially the Fender Bassman, which
a lot of harp players use--is that the Bass knob affects the frequencies
around 100 Hz. In that range, harmonicas mostly put out breathing
noise, not musical frequencies. So I'd make sure that you actually hear
a difference in the sound of the harmonica before you turn up that bass
knob all the way and leave it there.
Regards, Richard Hunter
hunterharp.com
harmonica blog at http://myspace.com/richardhunterharp
Latest mp3s always at http://broadjam.com/rhunter
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