Re: [Harp-L] Standing at the chromatic
- To: MundHarp@xxxxxxx
- Subject: Re: [Harp-L] Standing at the chromatic
- From: "G. E. Popenoe" <gpopenoe@xxxxxxxxx>
- Date: Fri, 27 Jun 2008 23:02:55 -0700
- Cc: harp-l@xxxxxxxxxx
- Dkim-signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=gamma; h=domainkey-signature:received:received:message-id:date:from:to :subject:cc:in-reply-to:mime-version:content-type:references; bh=0oMjRcPEY6qYPyD6n2BW+fp8pu3AcI0CslQ/LJ2rrSg=; b=JwEqYlhV8XN0CB4k2TaP4A1yneb7U51S0ny5wsv/oPOOc/T8WQ6DETAlDu4Vi/15Iw 7vOKi5d+M68chGlFse3+djBITC+q2MhxcVJWhomjrgJbkDlpbv+enIenooakpIzCA2iL VEsqir+gbLLa0ldjqf3OM6pGGKfsOBu3VXV1A=
- Domainkey-signature: a=rsa-sha1; c=nofws; d=gmail.com; s=gamma; h=message-id:date:from:to:subject:cc:in-reply-to:mime-version :content-type:references; b=HlNN5cG6rJVbfNDn1OnKSpvZYofa5+f1B57zRj+tUaIkhlXOMXmnkm2YnvqlGm6z6w LY9sXYJ0mdgzeBA51aP9ovIBWiw57shZUYg71US+HGITHz1WXPhhCZ90izUCb78a5jFQ mikSPB+ccRAijE2rxoYfW2sHf0xr0Ua1NRHbo=
- In-reply-to: <c68.2d0d5e57.3592d45e@aol.com>
- References: <c68.2d0d5e57.3592d45e@aol.com>
I switched from diatonic to chromatic when I was eighteen. I think I was too
damn ignorant to understand that there should be a pattern difference
between the too. Ignorance is bliss I guess because I picked up the
chromatic and continued with the diatonic too.
On Tue, Jun 24, 2008 at 3:51 PM, <MundHarp@xxxxxxx> wrote:
>
> _moorcot@xxxxxxxx (mailto:moorcot@xxxxxxx) writes:
>
> The only answer is to play the thing a lot more so as to develop a proper
> second muscle memoryI guess that sums it up!
> The late great Douglas Tate told me he simply couldn't play a harmonica in
> any key except "c"... I guess he had "perfect pitch". He used a "c"
> chromatic
> pretty well exclusively. (TO PLAY IN ALL KEYS!)
> >From the age of 8 to 13, I played a chromatic only, in "c" and "g"...
> Never
> had a problem jumping from one to the other... Then when I was 13 years
> old, I
> heard Little Walter, and took up the blues diatonic... I had terrible
> trouble switching between short harp and chromatic... The difference in
> tuning
> confused me terribly.
> More than 40 years later, I've "sussed" it...
> It is...SIMPLY... Practice.
> These days I play 50:50 Chromatic and diatonic.
> PS It needn't take YOU 40 odd years. Get out into that wood shed!
> Best wishes
> John Walden
> London
> England
>
>
>
>
>
> _______________________________________________
> Harp-L is sponsored by SPAH, http://www.spah.org
> Harp-L@xxxxxxxxxx
> http://harp-l.org/mailman/listinfo/harp-l
>
This archive was generated by a fusion of
Pipermail 0.09 (Mailman edition) and
MHonArc 2.6.8.