[Harp-L] Re:Posting
I don't see my post about the super sale I am offering so will post again,
sorry if it shows up twice. I will be traveling to be part of the Masterclass
in Calif and am offering 5 of the SJ410 for $1600 each (1795 list) and 5 of
the Crunchers for $1400 (1595 list). Short lead time. I am also selling my
bomber mics, I have 3, vintage 50's CR 99H86 bought from Chuck Gurney loaded in
custom shells for $225 each (295 list). Please contact me directly. BBHARPY
who also works on CR's received his 410 and had very nice things to say. Our
line out on the 410 will be strong and as close to speaker sound as possible,
the Cruncher's is being used quite often and guys say they can blast into the
house. My issue with building extremely loud amps for on stage volume is that
it brings the whole band up with you and if you are a blues player it is
just too loud. As far as tone, all customers that have contacted me back (90%+)
have thanked us for finally not fighting with feedback and can compete with
the two guitar, organ situation. I sat through one of the more famous player's
shows who really blasts it out there and for me it detoured from being able
to listen to his great playing. Sugar Ray if you can get to hear him has a
nice balance, he is always heard and rips when he wants to. I look forward to
hearing from you. Thank you. SJ
In a message dated 6/5/2008 11:17:06 A.M. Eastern Daylight Time,
harp-l-request@xxxxxxxxxx writes:
Send Harp-L mailing list submissions to
harp-l@xxxxxxxxxx
To subscribe or unsubscribe via the World Wide Web, visit
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or, via email, send a message with subject or body 'help' to
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When replying, please edit your Subject line so it is more specific
than "Re: Contents of Harp-L digest..."
Today's Topics:
1. (no subject) (greg@xxxxxxxxxxx)
2. Re: Chrom harp tabs. (Bill Rossoll)
3. where to go in austin ? (judoblues2@xxxxxxxxxxxxx)
4. Prewar Seydel stencil? (David Payne)
5. XB-40 replacement valves (Richard Hammersley)
6. Re: Re: [Harp-L] diatonic tablature for the chromatic scale (john)
7. Brad Harrison youtube video (randyharps@xxxxxxxxxxx)
8. Re: diatonic tablature for the chromatic scale (Philharpn@xxxxxxx)
9. diatonic tablature for the chromatic scale (Joseph Bernard)
10. Spanish Blues Harp Attack (Andres Vicente)
11. RE: Which Minor? (Chris Canning)
12. Final Sale of my dad's harmonicas (Ann Whitford)
----------------------------------------------------------------------
Message: 1
Date: Wed, 4 Jun 2008 17:36:42 -0400
From: greg@xxxxxxxxxxx
Subject: [Harp-L] (no subject)
To: harp-l@xxxxxxxxxx
Message-ID: <200806042136.m54LagUp027339@xxxxxxxxxx>
remove unsubscribe delete
This is an automatic response from greg@xxxxxxxxxxxx Please do not reply to
this message.
IF YOU'RE HUMAN please kindly disregard the text above - it helps cut down
on the spam.
I am away from my email from June 5 to June 12. I will respond to your
email when I return. However, email and spam and the general state of my brain
all conspire against us - I may miss your message entirely. If you haven't
received a reply from my by 6/15, please understand, and try again.
Thanks!
/Greg
------------------------------
Message: 2
Date: Wed, 04 Jun 2008 19:07:31 -0400
From: Bill Rossoll <billrossoll@xxxxxxxxx>
Subject: [Harp-L] Re: Chrom harp tabs.
To: harp-l@xxxxxxxxxx
Message-ID: <48472033.6070800@xxxxxxxxx>
Content-Type: text/plain; charset=ISO-8859-1; format=flowed
I could be wrong on this but I think you might find that in Charley
Musselwhite's instructional.
I think it's called _Power Harp_ (or something.) Anybody know for sure?
------------------------------
Message: 3
Date: Thu, 05 Jun 2008 01:33:53 +0000
From: judoblues2@xxxxxxxxxxxxx
Subject: [Harp-L] where to go in austin ?
To: harp-l@xxxxxxxxxx
Message-ID:
<060520080133.4446.48474281000411E10000115E22230647029B0A02D2089B9A019C04040A0
DBFCD9C0A9A040D010B9A06@xxxxxxx>
Content-Type: text/plain
hello everybody Im going to Austin from Thusday to Sunday this weekdend<any
suggestions on where to go this weekend< while im there>paron the wy this
looks my computer at work is screwed up
------------------------------
Message: 4
Date: Wed, 4 Jun 2008 18:49:22 -0700 (PDT)
From: David Payne <dave@xxxxxxxxxxxxxxxxxxxxxx>
Subject: [Harp-L] Prewar Seydel stencil?
To: Harp L Harp L <harp-l@xxxxxxxxxx>
Message-ID: <844716.75818.qm@xxxxxxxxxxxxxxxxxxxxxxxxxxxxxx>
Content-Type: text/plain; charset=iso-8859-1
Anybody seen this? I'm almost sure it's a Seydel stencil, everything about
it says prewar Seydel to me. Harmonica-collector usurped all these a** b**
c**... guys... $114
http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&rd=1&item=260245157426&ssPageNam
e=STRK:MEWA:IT&ih=016
Dave
________________________
Dave Payne Sr.
ELk RIver Harmonicas
www.elkriverharmonicas.com
------------------------------
Message: 5
Date: Thu, 5 Jun 2008 11:46:39 +0100
From: Richard Hammersley <rhhammersley@xxxxxxxxxxxxxx>
Subject: [Harp-L] XB-40 replacement valves
To: Harp L Harp L <harp-l@xxxxxxxxxx>
Message-ID: <BD4BE319-9B80-4864-97E1-82EE01FF1697@xxxxxxxxxxxxxx>
Content-Type: text/plain; charset=US-ASCII; format=flowed; delsp=yes
I have an XB-40 in G which I bought soon after they came out. This
is
the 2nd harp, the valves in draw 2 and 3 detached from the 1st one
and
arrived in my mouth, so I sent it back. Draw 2 came out again on the
replacement, this time I superglued it and no problems until now:
The
blow 1 valve has vanished. Does anyone know where I can get a
replacement, or indeed how to bodge one? It is easy enough to stick
them on, but how to get one in the 1st place without spending the
cost
of a new harp on the repair?
After this experience I think that the XB-40 may be problematic in
lower keys - the big valves on my 2 instruments do not seem strongly
enough attached. I should add I have a newer XB-40 in C, which so
far
has given no problems.
Richard
Richard Hammersley
Grantshouse, Scottish Borders
http://www.last.fm/music/Richard+Hammersley
http://www.myspace.com/rhammersley
http://www.myspace.com/magpiesittingdown
------------------------------
Message: 6
Date: Thu, 5 Jun 2008 05:55:57 -0500
From: "john" <jjthaden@xxxxxxxxx>
Subject: Re: Re: [Harp-L] diatonic tablature for the chromatic scale
To: "Vern Smith" <jevern@xxxxxxx>, "harp-l@xxxxxxxxxx"
<harp-l@xxxxxxxxxx>, "Philharpn@xxxxxxx" <Philharpn@xxxxxxx>
Message-ID: <200806050555483037015@xxxxxxxxx>
Content-Type: text/plain; charset="iso-8859-1"
======= At 2008-06-04, 15:34:10 you wrote: =======
>To use any std-to-tab conversion system, the user must know some things
>about reading music to correctly interpret std notation. I refer to the
>rules for how sharp, flat, and natural signs in the key signature and in
the
>same measure apply.
That is certainly not too much to ask or expect.
>Music-notation software makes it easy to transpose a song in any key to any
>other key.
What software do you recommend? For instance, you arrive at a recording
session, harps in hand, and are handed sheet music. You think of perhaps three
different diatonics (positions), which, for different reasons, strike you as
having advantages. You pull out your laptop and portable scanner, scan in
the music, transpose it onscreen, try the three options, and decide on one.
You print the music on your portable printer, set it on the music stand and
play. What software will allow that to happen in a seamless way?
>The diatonic player can choose among 11 keys of harmonicas. I
>propose that a person learn to read only on a C diatonic. Then he can
>choose a combination of keys for the sheet music and the diatonic harp that
>would use only a single pattern of . hole-blow/draw/bend. Thus learning to
>read for the diatonic would be about as easy as learning to read on a C
>chromatic. The advantage is that he can learn only one hole-blow/draw-bend
>pattern and use it on a harp of any key. It also handles playing in
>positions.
>
>In this way the diatonic player can avail himself of all the advantages of
>std notation such as timing and the analogy of altitude on the staff to
>pitch ....without having to learn separate hole-b/d/bend for each key of
>harp.
>
>Example: I have a piece in D that goes down to A3, below the range of my
>12-hole C chromatic. I transposed it to G on paper, play it on a G
>chromatic (while thinking C chromatic) and the concert key is D. Thus I
did
>not have to learn a different pattern of hole-blow/draw-slide actions for
>the G harp. Another way of saying this is that by transposing sheet
music,
>I can think C-harp while playing a G-harp.
>
>This isn't rocket science. Arrangers do this kind of thing routinely for
>players of transposing wind instruments. The difference is that they don't
>have access to as many keys of transposing instruments as does the
harmonica
>player.
>
>Vern
>Visit my harmonica website www.Hands-Free-Chromatic.7p.com
>
>----- Original Message -----
>From: <Philharpn@xxxxxxx>
>To: <mmolino54@xxxxxxxxxxx>; <harp-l@xxxxxxxxxx>
>Sent: Wednesday, June 04, 2008 11:05 AM
>Subject: Re: [Harp-L] diatonic tablature for the chromatic scale
>
>
>> Remarkably well done job. Not only do they do the job, they look nice
too.
>>
>> Now nobody has any excuse for being unable to convert musical notation
>> into
>> harmonica tablature. Diatonic or chromatic -- of chromatic diatonic.
>>
>> Takes all the busywork out of the task.
>>
>> Phil Lloyd
>>
>>
>>
>>
>> In a message dated 6/4/08 11:18:43 AM, mmolino54@xxxxxxxxxxx writes:
>>
>>
>>>
>>> When I first picked up the diatonic 2 years ago, I was trying to learn
>>> the
>>> layout and relearn how to read music, so I created some visuals/guides I
>>> thought might help me. I don't know if these are helpful to anyone else,
>>> but they
>>> don't do any good if no one sees them so here they are:
>>>
>>> Musical Notation and Diatonic Harmonica Tab for Natural Notes
>>> http://www.harptabs.com/displayfile.php?ID=21
>>>
>>> Chromatic Music Scale Diatonic Harmonica Tab (Key of
>>> C)http://www.harptabs.com/displayfile.php?ID=22
>>>
>>> Diatonic Harmonica Tab
>>> Rulershttp://www.harptabs.com/displayfile.php?ID=31
>>>
>>> -MarcThe RP Muse Blog ~ Highlighting local arts & culture. Submissions
>>> welcomed.http://therpmuse.blogspot.com
>>> _________________________________________________________________
>>> Search that pays you back! Introducing Live Search cashback.
>>> http://search.live.com/cashback/?&;
>>>
pkw=form=MIJAAF/publ=HMTGL/crea=srchpaysyouback_______________________________________________
>>> Harp-L is sponsored by SPAH, http://www.spah.org
>>> Harp-L@xxxxxxxxxx
>>> http://harp-l.org/mailman/listinfo/harp-l
>>>
>>
>>
>>
>>
>> **************
>> Get trade secrets for amazing burgers. Watch "Cooking with
>> Tyler Florence" on AOL Food.
>> (http://food.aol.com/tyler-florence?video=4?&
>> NCID=aolfod00030000000002)
>> _______________________________________________
>> Harp-L is sponsored by SPAH, http://www.spah.org
>> Harp-L@xxxxxxxxxx
>> http://harp-l.org/mailman/listinfo/harp-l
>
>
>_______________________________________________
>Harp-L is sponsored by SPAH, http://www.spah.org
>Harp-L@xxxxxxxxxx
>http://harp-l.org/mailman/listinfo/harp-l
= = = = = = = = = = = = = = = = = = = =
Best regards.
john
jjthaden@xxxxxxxxx
2008-06-05
------------------------------
Message: 7
Date: Thu, 05 Jun 2008 11:26:23 +0000
From: randyharps@xxxxxxxxxxx
Subject: [Harp-L] Brad Harrison youtube video
To: harp-l@xxxxxxxxxx
Message-ID:
<060520081126.14334.4847CD5F000E89E8000037FE22070229339C9F9D0E08970B020E9D@com
cast.net>
Content-Type: text/plain
Hey!
Yall should check out Brad Harrisons youtube video. His DeFord Bailey is off
the friggin hook!!
Hi<object width="425" height="344"><param name="movie"
value="http://www.youtube.com/v/JQXyBuyAomQ&hl=en";></param><param name="wmode"
value="transparent"></param><embed src="http://www.youtube.com/v/JQXyBuyAomQ&hl=en";
type="application/x-shockwave-flash" wmode="transparent" width="425"
height="344"></embed></object>s
------------------------------
Message: 8
Date: Wed, 4 Jun 2008 21:59:57 EDT
From: Philharpn@xxxxxxx
Subject: Re: [Harp-L] diatonic tablature for the chromatic scale
To: jevern@xxxxxxx, harp-l@xxxxxxxxxx, Philharpn@xxxxxxx
Message-ID: <cb4.33bc2f49.3578a29d@xxxxxxx>
Content-Type: text/plain; charset="ISO-8859-1"
Vern is right about this. There are a few things "that everybody knows" who
reads music. And you need to know these things to make sense out of
notation.
The treble clef, also called the G clef because that cursive looking g wraps
around the G line on the five-line staff. The lines are EGBDF (Every Good
Boy
Does Fine) and the spaces are FACE like the word face. Flats go down (like a
flat tire) and sharps (like a point) go up. The same note can a flat or
sharp
depending where you start. An apartment ceiling is somebody else's floor.
Depends where you stand.
Key signature is that bunch of "b"s or ### at the beginning of each line (or
at least the first line of the tune). That tells you the key (which you can
deduce from your Circle of Fifths which adds a # (sharp) to each key
clockwise
from C and adds a b (flat) to each key counter clockwise.
The key of C has no flats or sharps; this is why piano players and harmonica
players like it so much. What you see is what you get. Once they key
changes,
the player has to remember which note is no longer what it seems. In the key
of G, every F is no longer an F, it's an F# (half step higher: push the
button
in on the chrome). F is the first space inside the treble clef. On the
piano,
the black key next to the white F is F#. This is a half-step higher, to the
right.
For flats, going counterclockwise from C on the Circle of Fifths is the key
of F which has Bb (B flat). This means every time you come to a note on the
third line (B) you have to play a note a half-step lower. On the piano, the
Bb is
the black key below (left of) the white B.
You can tell what key the key signature stands for by knowing: One sharp (#)
is G, one flat (b) is F. From there, sharp keys: the next note above the far
right sharp. For flat keys, second b from right. (double check with your
Circle
of Fifths).
Then the basic major scale: Just like the piano keyboard, start on a C and
every note is a full step (black key + white key) except the 3&4 (E&F) and
7&8
(B&C). This is helpful if your are trying to figure out the I, IV and V
chords)
based on the 1st, 4th and 5th note of the scale.
Also, if you are trying to figure out a pentatonic scale or blues scale,
which are all based on the standard everyday major scale.
Why the piano? The piano is the absolutely best way to understand music
notation because it was designed after everybody decided how to write down
music.
(oversimplification, but true).
If this all sounds complicated, it's really not. You can either forget about
it or buy a cheap paperback on How to Read Music for a couple of bucks at a
book store or music store.
Remember, confusion is the first step of learning.
Hope this helps.
Phil Lloyd
In a message dated 6/4/08 5:33:26 PM, jevern@xxxxxxx writes:
> To use any std-to-tab conversion system, the user must know some things
> about reading music to correctly interpret std notation. I refer to the
> rules for how sharp, flat, and natural signs in the key signature and in
the
> same measure apply. For those that do not read music, there is no
> indication on the staff that the signs apply to other octaves or to
> non-adjacent notes in the same measure. For example, the non-reader may
> miss the # for C above and below the staff in the key of D...etc.
>
> I don't see any other way around this but for the user to memorize these
> rules. This is an unavoidable first step in the dreaded task of learning
to
> read.
>
> Music-notation software makes it easy to transpose a song in any key to any
> other key. The diatonic player can choose among 11 keys of harmonicas. I
> propose that a person learn to read only on a C diatonic. Then he can
> choose a combination of keys for the sheet music and the diatonic harp that
> would use only a single pattern of . hole-blow/draw/bend. Thus learning to
> read for the diatonic would be about as easy as learning to read on a C
> chromatic. The advantage is that he can learn only one
hole-blow/draw-bend
> pattern and use it on a harp of any key. It also handles playing in
> positions.
>
> In this way the diatonic player can avail himself of all the advantages of
> std notation such as timing and the analogy of altitude on the staff to
> pitch ....without having to learn separate hole-b/d/bend for each key of
> harp.
>
> Example: I have a piece in D that goes down to A3, below the range of my
> 12-hole C chromatic. I transposed it to G on paper, play it on a G
> chromatic (while thinking C chromatic) and the concert key is D. Thus I
did
> not have to learn a different pattern of hole-blow/draw-slide actions for
> the G harp. Another way of saying this is that by transposing sheet
music,
> I can think C-harp while playing a G-harp.
>
> This isn't rocket science. Arrangers do this kind of thing routinely for
> players of transposing wind instruments. The difference is that they don't
> have access to as many keys of transposing instruments as does the
harmonica
> player.
>
> Vern
> Visit my harmonica website www.Hands-Free-Chromatic.7p.com
>
> ----- Original Message -----
> From: <Philharpn@xxxxxxx>
> To: <mmolino54@xxxxxxxxxxx>; <harp-l@xxxxxxxxxx>
> Sent: Wednesday, June 04, 2008 11:05 AM
> Subject: Re: [Harp-L] diatonic tablature for the chromatic scale
>
>
> > Remarkably well done job. Not only do they do the job, they look nice
too.
> >
> > Now nobody has any excuse for being unable to convert musical notation
> > into
> > harmonica tablature. Diatonic or chromatic -- of chromatic diatonic.
> >
> > Takes all the busywork out of the task.
> >
> > Phil Lloyd
> >
> >
> >
> >
> > In a message dated 6/4/08 11:18:43 AM, mmolino54@xxxxxxxxxxx writes:
> >
> >
> >>
> >> When I first picked up the diatonic 2 years ago, I was trying to learn
> >> the
> >> layout and relearn how to read music, so I created some visuals/guides I
> >> thought might help me. I don't know if these are helpful to anyone
else,
> >> but they
> >> don't do any good if no one sees them so here they are:
> >>
> >> Musical Notation and Diatonic Harmonica Tab for Natural Notes
> >> http://www.harptabs.com/displayfile.php?ID=21
> >>
> >> Chromatic Music Scale Diatonic Harmonica Tab (Key of
> >> C)http://www.harptabs.com/displayfile.php?ID=22
> >>
> >> Diatonic Harmonica Tab
> >> Rulershttp://www.harptabs.com/displayfile.php?ID=31
> >>
> >> -MarcThe RP Muse Blog ~ Highlighting local arts & culture. Submissions
> >> welcomed.http://therpmuse.blogspot.com
> >> _________________________________________________________________
> >> Search that pays you back! Introducing Live Search cashback.
> >> http://search.live.com/cashback/?&;
> >>
>
pkw=form=MIJAAF/publ=HMTGL/crea=srchpaysyouback_______________________________________________
> >> Harp-L is sponsored by SPAH, http://www.spah.org
> >> Harp-L@xxxxxxxxxx
> >> http://harp-l.org/mailman/listinfo/harp-l
> >>
> >
> >
> >
> >
> > **************
> > Get trade secrets for amazing burgers. Watch "Cooking with
> > Tyler Florence" on AOL Food.
> > (http://food.aol.com/tyler-florence?video=4?&
> > NCID=aolfod00030000000002)
> > _______________________________________________
> > Harp-L is sponsored by SPAH, http://www.spah.org
> > Harp-L@xxxxxxxxxx
> > http://harp-l.org/mailman/listinfo/harp-l
>
>
>
>
**************
Get trade secrets for amazing burgers. Watch "Cooking with
Tyler Florence" on AOL Food.
(http://food.aol.com/tyler-florence?video=4?&
NCID=aolfod00030000000002)
------------------------------
Message: 9
Date: Thu, 5 Jun 2008 07:02:42 -0700 (PDT)
From: Joseph Bernard <bjosephmex@xxxxxxxxx>
Subject: [Harp-L] diatonic tablature for the chromatic scale
To: Harp-L@xxxxxxxxxx
Message-ID: <906661.8175.qm@xxxxxxxxxxxxxxxxxxxxxxxxxxx>
Content-Type: text/plain; charset=iso-8859-1
Just copy the tunes you want from harptabs.com. Make a copy to allow for
mistakes, then use the find and replace function to convert the tabs. I prefer
to convert them into numbers and letters so I can play any mode or any
harmonica with the same tabs. C0 C1 C2 C3, etc. You have to have a system so
that you donÂt convert the same note twice. If you do it correctly, converting
100 tunes at the same time is just as easy as converting one!
------------------------------
Message: 10
Date: Thu, 5 Jun 2008 16:19:28 +0200
From: "Andres Vicente" <andres@xxxxxxxxxxxxxxxxxx>
Subject: [Harp-L] Spanish Blues Harp Attack
To: <harp-l@xxxxxxxxxx>
Message-ID: <FE1590356C0843D3B09184B336ECD2A7@f06d752a7e5e470>
Content-Type: text/plain; format=flowed; charset="iso-8859-1";
reply-type=original
Hello all,
some friends of the harmonica scene from Spain have joined in a proyect to
pay tribute of that Â91 Alligator CD Harp Attack!, at this chance Ãaco GoÃi,
Mingo Balaguer and Danny Boy are playing their own stuff in some places and
festivals and recorded the Spanish Blues Harp Attack CD, that sounds
great!!!
And just for fun, even Antonio Serrano plays his chromatic harmonica in one
cut.
A sample here.
http://youtube.com/watch?v=RLXVWNFhwzg
Regards,
------------------------------
Message: 11
Date: Fri, 6 Jun 2008 01:14:16 +1000
From: "Chris Canning" <chriscanning@xxxxxxxxxxx>
Subject: [Harp-L] RE: Which Minor?
To: <harp-l@xxxxxxxxxx>
Message-ID: <000701c8c71e$d2f866a0$78e933e0$@com>
Content-Type: text/plain; charset="us-ascii"
Thanks to all that responded to my question on minor scales. I've got plenty
to take in thanks to some great posts. Re: the 1OB I'll let you know if the
golf ball or the hot potato does the trick.
Thanks again Chris Canning.
Ocean Grove, AUS.
------------------------------
Message: 12
Date: Thu, 5 Jun 2008 08:14:45 -0700 (PDT)
From: Ann Whitford <annwhitford@xxxxxxxxx>
Subject: [Harp-L] Final Sale of my dad's harmonicas
To: harp-l@xxxxxxxxxx
Message-ID: <506503.54830.qm@xxxxxxxxxxxxxxxxxxxxxxxxxxx>
Content-Type: text/plain; charset=iso-8859-1
Here are the harmonicas left of my dad's collection. (Thanks to all of you
who have purchased others.) I've reduced prices, and would consider any
reasonable offer(s) of any remaining.
Thanks,
Ann
HOHNER 64 CHROMONICA were $75 each NOW $50
Chromatic Octaves, Professional Model, Key of C, with case
2 in Excellent/Like New Condition
1 shows some wear/finish a bit worn with a few scratches
HOHNER SUPER 64 CHROMONICA
(1) Excellent/Like New Condition, with case was $160 NOW $100
(1) Very Good Condition, few scratches but no finish wear, with case
was $120 NOW $75
HOHNER PROFESSIONAL 2016 CBH
Fair condition (shows wear on metal name/trim piece) with case was $175
Now $140
HERING 64 CHROMATIC
Excellent/Like New Condition, with (soft) plastic case. was $75 NOW $50
ORâ.MAKE ME AN OFFER ON ANY OF THE ABOVE.
------------------------------
_______________________________________________
Harp-L is sponsored by SPAH, http://www.spah.org
Harp-L mailing list
Harp-L@xxxxxxxxxx
http://harp-l.org/mailman/listinfo/harp-l
End of Harp-L Digest, Vol 58, Issue 8
*************************************
**************Get trade secrets for amazing burgers. Watch "Cooking with
Tyler Florence" on AOL Food.
(http://food.aol.com/tyler-florence?video=4?&NCID=aolfod00030000000002)
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