Re: [Harp-L] Harp Rigs
- To: harp-l@xxxxxxxxxx, gpopenoe@xxxxxxxxx
- Subject: Re: [Harp-L] Harp Rigs
- From: Richard Hunter <turtlehill@xxxxxxxxxxxxx>
- Date: Sun, 20 Jan 2008 10:23:33 -0500
- Cc:
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- In-reply-to: <200801201001.m0KA1pDL022663@harp-l.com>
- Organization: Turtle Hill Productions
- References: <200801201001.m0KA1pDL022663@harp-l.com>
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"G. E. Popenoe" wrote:
<I've read all kinds of great blogs about killer amps set up for
<playing' the blues. If I had the bucks, I would have a whole <collection.
<
<Since I have to be extremely flexible as a side man for singer
<songwriters, I need a rig that can cover a whole range of styles at
<any volume .
<
<I've long considered a mini PA approach. I've since run into some fine
<sax players who do the same thing.
<etc...
For most gigs, including blues, rock, jazz, country, GB--in fact just
about anything that requires a handheld mic--the Digitech RP200, an
Audix Fireball V mic, and a single mono channel into the house PA is all
I need.
Certainly there are rigs designed for single-purpose applications that
produce better sounds for that purpose. I drool over Sonny Junior,
Harpgear, and Meteor amps every time I play through one, just like
everybody else.
But for an all-around rig that produces a wide range of tones that sound
good in lots of different styles, it's hard to beat the
price/performance ratio of a decent amp modeler like the RP, POD XT,
Zoom G2, etc. One piece of gear, costing less than $200, the size and
weight of a hardcover book, that provides everything from the sound of
the amp to reverb, delay, pitch, and modulation effects? Fuhgeddaboudit.
Regards, RH
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