[Harp-L] Re:How do you break through a wall? (Will Vogtman)
- To: harp-l@xxxxxxxxxx
- Subject: [Harp-L] Re:How do you break through a wall? (Will Vogtman)
- From: Robert Bonfiglio <bon@xxxxxxxxxx>
- Date: Tue, 1 Jan 2008 20:18:53 -0500
- In-reply-to: <200801012039.m01KdlDM008004@harp-l.com>
- References: <200801012039.m01KdlDM008004@harp-l.com>
At the conclusion of my hiatus, I want to be able to:
1. Sight read for harmonica, sax, and bass.
2. Overbend harmonica and overblow sax (altissimo).
3. Play any given diatonic in all 12 keys.
4. Play as if the harmonica is my own voice--no "interface
thought" between mind and harp.
This seems 10-20 years away from where I am now. I know it's not.
If you are planning on doing it on chromatic, you should come to one
of my seminars. (See the post) If you are planning to do this on
the diatonic you need to study with Howard Levy. Every other
instrumentalist has a teacher; so should a harmonica player at this
point.
The best way to treat learning is as a child, one day at a time and
see what I have learned - do not compare yourself to other players.
If it takes you 10 years to learn a certain technique that someone
else can play in 5 minutes, in music this is not a bad thing.
Because during that 10 years you will be developing tone, power,
phrasing, music making. Music is not a race. The process needs to
be enjoyed along the way; what you play belongs to you and no one
else. This is why we call it playing music, not working music.
I can teach players to play their scales and read, but I can not
teach them to enjoy practicing. If you don't love getting behind
your instrument everyday, maybe you should do something else.
Harmonically yours,
Robert Bonfiglio
http://www.robertbonfiglio.com
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