Re: [Harp-L] Re: Half-tone harmonica
- To: MilwHarmonica@xxxxxxx
- Subject: Re: [Harp-L] Re: Half-tone harmonica
- From: "Arthur Jennings" <timeistight@xxxxxxxxx>
- Date: Wed, 31 Dec 2008 13:14:28 -0800
- Cc: harp-l@xxxxxxxxxx
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If the interval from C to D is called a "whole tone" (and it is) then it
seems logical (if a bit uncommon) for the interval from C to C# to be called
a "half tone".
On Wed, Dec 31, 2008 at 10:37 AM, <MilwHarmonica@xxxxxxx> wrote:
> Hello, Harp-L members.
>
> In western music (indigenous music of Europe, the Americas, Australia,
> Russia, popular music scales are based on a 12-tone music scale (12 equally
> distant notes within an octave ).
>
> The numeric distance from one tone to the next nearest tone in the 12 tone
> (chromatic) scale is called an interval (distance) of a half step.
>
> Musicians, often erroneously interchange the use of the words " half tone,"
> or "half note," when they actually intend to say "half step."
>
> It's a guess that Borrah Minevitch meant to say, "half-step harmonica,"
> instead of "half-tone harmonica."
>
> The half-step harmonica is also known as a chromatic harmonica. When
> Borrah
> referred to the half-tone harmonica, he probably meant the slide chromatic
> harmonica.
>
> Other chromatic (12 equidistant scale notes per octave) harmonicas include
> the 2-deck bass harps, the
> glissando harps (slideless chromatics), chromatic pitch pipes and 48-chord
> harmonicas.
>
> Happy New Year
>
> John Broecker
>
>
> **************New year...new news. Be the first to know what is making
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--
Arthur Jennings
http://www.timeistight.com
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