Re: [Harp-L] '65 Princeton Reverb Reissue
I had a white knob Blackface Fender Princeton. I never liked it for
harmonica. I just never got compressed or barky in the middle. I
wanted to like it. It is rumoured Big Walter Horton used the same amp.
It was very cool with those white knobs and I'd gotten it very
reasonably but eventually I ended up selling it. I semi kinda regret
letting it go but only because they're worth so much money these days
and it was way cute. I've played through a Silverface Fender Princeton
Reverb. I liked that amplifier a lot better. In retrospect I bet the
non reverb could have been fixed. It had an AlNiCo speaker that was non
stock but old. Swapping the speaker could have made a world of
difference. I always hesitate in regards to altering a virtually stock
amplifier that is that collectable. Personally and very subjectively I
think the predecessor to this amplifier the Tweed Princeton is a much
better amplifier. I own 2 Whites same as a Tweed Princeton different
cabinet.
Mixing threads here, I really was impressed by Mark Wilson's playing on
his myspace page. http://www.myspace.com/checkmarkwilson Great plug
for the Bogen amplifier but in reality I think Mark's playing has more
than a little to do with why that first clip is so superb. Very
restrained playing but not in an oppressed sort of way. Nice use of
space and choices in avoiding the cliches people usually toss into a
blues tune like this. I should know because when I listen to anything
I play all I can hear are the sloppily played notes and the over used
phrases and licks that are so difficult to stay away from. I think the
thing that really separates intermediate and advanced intermediate
players from the next level are all those little details. Mark's
playing is a grand advertisement for the Jon Gindick Jam Camps. First
there's the level of musicianship but there is also the environment that
nurtured that talent. Great stuff Mark and thank you for sharing. fjm
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