[Harp-L] Re: evil twin
- To: harp-l@xxxxxxxxxx
- Subject: [Harp-L] Re: evil twin
- From: David Fertig <drfertig@xxxxxxxxx>
- Date: Sat, 6 Dec 2008 12:49:38 -0800 (PST)
- Domainkey-signature: a=rsa-sha1; q=dns; c=nofws; s=s1024; d=yahoo.com; h=X-YMail-OSG:Received:X-Mailer:Date:From:Subject:To:In-Reply-To:MIME-Version:Content-Type:Message-ID; b=xqT3HeEDv1XBZC3lJD30RsewMyLXh3zu3k6OC8gdfMieKE0IUMY3q/bWYCzdX9QRnbpAkvmdMIP38c4c6xzzVHe0ql2MfRibRembfSwcBqTzsBVqgFWTr+fvvo2VlCbYw66u7pAeLm/9BHZE2oWN3EYjfRG1JFek0IYBI1hDL00=;
- In-reply-to: <200812061755.mB6Ht2W4023751@harp-l.com>
I believe this is yet more evidence that the player has vastly more impact on tonality than the mic and amp. Good gear is great, but what you put in is what you get out.
-Dave Fertig
Iceman wrote:
<My memory is not the best, but I believe that Charlie Musselwhite used to
<favor this amp.
So far as I can tell, Charlie Musselwhite has played through damn near anything
that has a grill, a knob, a speaker, and a tube somewhere in the chain.
The amazing thing about Charlie--or maybe it's the obvious thing--is that
he sounds like Charlie, with minor variations, no matter what he's playing
through.
Regards, Richard Hunter
latest mp3s and harmonica blog at http://myspace.com/richardhunterharp
This archive was generated by a fusion of
Pipermail 0.09 (Mailman edition) and
MHonArc 2.6.8.