Re: [Harp-L] Subject: Re: Midori again
On Apr 9, 2008, at 10:15 PM, Bob Laughlin wrote:
Every politician and "success"/greed driven businessman has a
charity to
justify the other part of his/her life, and put a likeable face on
what
otherwise is simply a drive to succeed and be wealthy.
It's good business
Midori may have a
philanthropic side, to be sure, but is it because she "loves" the
children
she supports, "loves" the music she performs, or merely because she
needs a
tax write-off? Very likely she's a good businessperson, or she's
encouraged/supported/sponsored by one/some.
You're a tough act lol
Skepticism is definitely a part of my nature.
That's what I like about you.
Too often, I've seen the
business realities of what is promoted as "love". Many who would
make a good
appearance of support for some underpriveleged poor would never
dream of
visiting the same neighborhood, let alone live next to "one".
I can dig where you're coming from.
My initial feeling, and my post, was that Midori, though she may
not be
"faking" (your wording) what she's playing, may be adding a kind of
"physical enthusiasm" to the mix simply because of the perceived
audience
response.
See Bob, I see this part a little differently. This girl is young and
healthy. She can really move around because unlike Itzak Perleman,
she has working legs. A lot of the older violin players are just
that...old. I see her as enthusiastic and vivacious and have been a
fan of hers for years. Inasmuch as I consider the harmonica as
closest to the violin (just study OBS), maybe I'm jaded. In any case,
there may be those who don't think a violin player fits on a harp
list. Well, Bill Monroe doesn't play harp either.
Another thing to consider. There are those who have a sort of a bland
personality. They are what I like to call 'One below par'. Meaning:
their general demeanor or deportment is normally at the same level as
an AVERAGE person on one depressant. Then they go on stage and let it
all hang out. There are also those who are 'One ABOVE par'. These are
people who are already hyped up with what they are doing and high on
life. So much so, that when THEY get up on stage, it's like a normal
average person on a stimulant. Without actually TAKING stimulants.
lol. It's just their natural (for them) energy level. Then there are
the extremes. Playing like you're almost comotose (2 below par).
Playing as if your hair is on fire and you have to make it to the
horse trough. (2 above par)
Midori is Japanese. They are usually very quiet and non obtrusive. I
believe, when she plays, that's her outlet for feelings she can't
otherwise express in her culture....without a good reason.
It may just be something that her "handlers"/parents encouraged
her to do, for the effect, and the advantage of moving an audience,
viewing
on a purely superficial level, to say,,"Oh,,see how passionate she
is!"
I don't think so. See sentence above.
Passion can be genuine, whether inwardly or outwardly expressed.
There is no
driving necessity, in my own mind, to elevate physical theatrics to
the
place of a guide by which one may judge another's love of music.
That may
merely be the mark of a good businessman/woman/person. Neither can
one's
inner passion necessarily be fairly judged by the lack of outward
theatrics.
In the case of Kiss or Motley Crue, I would agree, but I think you're
reading too much into this girl. I think it's merely a case of her
being so enthusiastic that all her hard work is paying off and she
has been allowed to better herself, and is proud of herself, and
thusly is expressing her joy.
Admittedly, some of my greatest heroes were those musicians who
seemingly
gave little place to theatrics in their performances, though, I
also have
enjoyed performances where the artist was visibly moved.
I can dig THAT.
smo-joe
Keepin' it real.
BL
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